Sohye Kim

Friday, November 17th, 3:00 – 5:00 p.m. in CEAS 319 (1155 E. 60th St.)

Sohye Kim, “An Invitation to the Cinematic Dream of Diaspora: Zhang Lu’s Fashioning of Spectatorship in South Korea”
Discussant: Emily Jungmin Yoon (PhD student, EALC)
Please join us Friday, November 17th as we host Sohye Kim (PhD candidate in East Asian Languages and Civilizations.) She will present a draft of her dissertation chapter, which she summarizes as follows:

This chapter analyzes a Korean-Chinese filmmaker, Zhang Lu’s films and their South Korean reception. As a third-generation member of the Korean diaspora in China, Zhang Lu has self-consciously captured in films what he aptly terms “the scenery of strangers,” transcending nationally-defined issues and depicting those lives pushed to the peripheries and boundaries between nation-states, by featuring ethnic Koreans across China, Korea, and Mongolia. However, since 2012, when Zhang Lu temporarily shifted his main base for filmmaking to South Korea, issues related to Korean diaspora did not surface explicitly in any of his recent films, such as Gyeongju (2014), Love and… (2015), and A Quiet Dream (2016). Far from viewing Zhang Lu’s “homecoming” as a fait accompli, I argue that his recent work reveals another journey taken, in the very act of homecoming, by this film director with a hyphenated identity. His return to Korea involves another departure for him, which initiates long overdue conversations on collective memory with its homeland audience. By examining Zhang Lu’s cinematic rendition of his history of displacement and envisioning of an intersubjective cinematic experience, this paper explores not just collective memories of the past in the homeland and sites of diaspora, but also a new sense of communication and community-building between historically and spatially divided lands and nations.

The paper is available directly below, or at this link. If you have not received the password, or have questions about accessibility, please feel free to contact Helina Mazza-Hilway (mazzah@uchicago.edu) or Susan Su (susansu@uchicago.edu).

 

 

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Yuqian Yan

Yuqian Yan (PhD Candidate 🍒, Cinema and Media Studies & EALC)
“Emplacing the Ancient: the Characters and Their World”
Friday, November 10th, 3-5pm in CEAS 319
Discussant: Pao-Chen Tang (PhD Student, Cinema and Media Studies & EALC)
Co-sponsored with the Mass Culture Workshop

Please join us Friday (11/10) from 3-5pm, as we host Yuqian Yan (PhD Candidate, Cinema and Media Studies & EALC). She will present a draft of her dissertation chapter, which she summarizes as follows:

Location shooting was an important feature of Chinese ancient costume films (guzhuang pian) in the 1920s. Filmmakers went beyond confined studio spaces in Shanghai to search for scenic sites to locate familiar tales from the past. What motivated them to incorporate present landscapes in the representations of ancient stories? What kinds of places could be qualified as ancient settings? How did the incorporation of real sites affect audiences’ viewing experiences? This chapter studies Chinese filmmakers’ efforts to integrate contemporary locations into cinematic adaptations of traditional tales. By directly engaging the present in the portrayal of the ancient, filmmakers suggested a different possibility of relating to the past, and demonstrated the new cinematic medium’s special capacity in facilitating a new way to evoke the past through the present.

The paper is available directly below, or at this link. If you have not received the password, or have questions about accessibility, please feel free to contact Helina Mazza-Hilway (mazzah@uchicago.edu) or Susan Su (susansu@uchicago.edu).

Nicholas Y. H. Wong


Above image: Bai Yao and others on left, Bai Yao’s Prequel to Floating Clouds on right.

🍑 Nicholas Y. H. Wong (PhD Candidate, Comparative Literature)
“Literary Collectives and “Minor” Time in Mahua Autobiographical Fiction about the Late 1950s”
Friday, November 3rd, 3-5pm in CEAS 319
Discussant: Yueling Ji (PhD Student, EALC)

Please join us Friday (11/3) from 3-5pm, as we host Nicholas Y. H. Wong (PhD Candidate, Comparative Literature). He will present a draft of his dissertation chapter, which he summarizes as follows:

This dissertation chapter examines sojourner-Chinese poet, librettist, and editor Bai Yao’s (1934–2015) unfinished piece of life-writing in the third person, Prequel to Floating Clouds (Lüyun qianshu, 2016). Bai Yao’s microhistory of urban Chinese-Malayan, or Mahua, literary societies and journals, managed by U.S.-sponsored Hong-Kong-based literary organization Union (Youlian), reveals his maximalist, encyclopedic approach to “becoming-minor.” Set around 1957, the year when Bai Yao arrived in newly independent Malaya, the novel presents time as a thick transnational node and generational fold, against the punctual national time of Leftist, nativist Mahua literary histories. Bai Yao also develops Youlian’s anti-communist, Malayan-oriented “life-camps” as an anti-Yan’an model of literary collectivity and study, legitimately connected to mainland Chinese republican-era societies. I examine Bai Yao’s account of Mahua literary autonomy via the depoliticized aesthetics of the Third Force, or non-alignment, and of cultural China (wenhua Zhongguo).

The paper is available directly below, or at this link. If you have not received the password, or have questions about accessibility, please feel free to contact Helina Mazza-Hilway (mazzah@uchicago.edu) or Susan Su (susansu@uchicago.edu).

Reiko Abe Auestad

Friday, October 27th, 3:00 – 5:00 p.m. in CEAS 319 (1155 E. 60th St.)

Reiko Abe Auestad, “Tsushima Yūko: Calling upon the Dead”

Discussant: Helina Mazza-Hilway (PhD candidate, EALC)

Please join us Friday, October 27th as we host Reiko Abe Auestad (Professor of Japan Studies at the University of Oslo.) She will present a draft of her article in progress, which she summarizes as follows:

The philosopher Avishai Margalit privileges an ethics “that tells us how we should regulate our thick relations” with family, friends, and others who are close to us, over a “morality” that concerns our “thin relations,” with those with whom we share only a common humanity. While Margalit points toward the difficulty of reconciling these two, this paper argues that Tsushima’s novels show how the distinction can be disrupted. I read Warai ōkami (Laughing Wolf), which addresses issues of history and memory, against Tsushima’s explicitly autobiographical work “Mahiru e” (Toward midday)  to see how reading them together can connect the social and the personal by turning “thin relations” into “thick” ones through the act of remembering.

In a 2001 interview with members of Shishōsetsu kenkyūkai, Tsushima argued that it is impossible to write a work of fiction that is not somehow rooted in the authorial “I,” and that all fiction is therefore a form of “shishōsetsu,” or I-fiction. Overemphasis on the value of fictive imagination and so-called “socially important themes” can, she warns, not only kill the “I” in a work, but can also kill off its relation to humanity (and thus its status as literature) altogether.

Many of Tsushima’s novels are haunted by deaths of people close to her in real life, including her father, Dazai Osamu, her mentally handicapped brother, and her own son. At the same time, the novels enable the “rebirth” of these figures by way of affective association and creative remembering. Indeed, the great power of Tsushima’s novels lies in their ability to evoke the presence of these ghosts. The network of affective associations that they trigger in us through our knowledge of her life creates the very visceral qualities that render “thick” our ethical experience of reading about these people whom we have never met.

The paper is available directly below, or at this link. If you have not received the password, or have questions about accessibility, please feel free to contact Helina Mazza-Hilway (mazzah@uchicago.edu) or Susan Su (susansu@uchicago.edu).

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Matt Lowenstein


Above image: The “Asia Realty” building, Frank Raven’s offices on Sichuan Rd.

Matt Lowenstein (PhD Student, History)
“An American Banker in Shanghai: Frank J. Raven in Historiographical Perspective”
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Friday, October 20th, 3-5 p.m. Wieboldt 301N🍊
Discussant: Spencer Stewart (PhD Student, History)

Please join us Friday (10/20) from 3-5pm, as we host Matt Lowenstein (PhD Student, History). He will present a draft of his article in progress, which he summarizes as follows:

In 1904, a 29-year- old veteran of the Spanish-American War arrived in Shanghai to take up work as an engineer. It was the beginning of a brilliant career and a charmed life. Frank Raven would go on to form a number of financial and property ventures, most notably the American-Oriental Banking Corporation. His reputation and social standing were ratified in accolades from the Shanghai American School, the Rotary Club, the American Club, and, his crowning glory, election to the Shanghai Municipal Council. But in 1935, silver poured out of country. With depositors lining up at the door, Raven was forced into liquidation. In the subsequent proceedings, the courts discovered criminal improprieties and sentenced Raven to five years in federal penitentiary. The literature treats Raven as the archetypal Great American Huckster, heir to a long tradition of confidence men, snake oil salesmen, and patent medicine cranks. For some, Raven represents American imperialism at its ugliest: greed unvarnished by higher ideals. For sympathetic scholars, he was a victim of a federal government intent on disciplining Americans abroad. This historiographical essay, relying on archives in Washington, Shanghai, and New York, and on Raven’s personal diaries, seeks to present Raven in his own terms. By taking him seriously as a financier, it hopes to open a new perspective on the history of Chinese finance during the Republican period.

The paper is available directly below, or at this link. If you have not received the password, or have questions about accessibility, please feel free to contact Helina Mazza-Hilway (mazzah@uchicago.edu) or Susan Su (susansu@uchicago.edu).