We made our third “field trip” yesterday to visit Marian Goodman Paris for an in-depth look at the William Kentridge exhibition currently installed there. During my own first visit last week, I was preoccupied withContinue reading

Denay’s Critique In the work Incremental Self: Les Corps Transparents, Emmanuelle Lainé uses furniture and objects taken from their normal context to capture the transitional states of her subjects. Lainé set up multiple screens andContinue reading