Will Carroll

Friday, October 6th, 3:30 – 5:30 p.m. in Wieboldt 301N

 Will Carroll, “I don’t masturbate; I fight!”: The Specter of Kita Ikki in Suzuki Seijun’s Fighting Elegy” 

Discussant: Pao-Chen Tang (PhD student, Cinema and Media Studies and EALC)

Please join us Friday, October 6th, as we host Will Carroll (PhD Candidate in Cinema and Media Studies and EALC). He will present a draft of his article in progress, which he summarizes as follows:

This article draft reconsiders both Suzuki Seijun’s relationship to the New Left and the applicability of Japanese cinephilic film criticism to questions of history and ideology. It does so by looking at the film Fighting Elegy (Suzuki’s penultimate film for Nikkatsu, made in 1966) through the lens of an article written about the film by the critic Gondō Susumu in 1969. My ambition is that the article will mutually enrich our understanding of both the film and the methodology of the branch of film criticism in which Gondō is working.

The paper is available directly below, or at this link. If you have not received the password, or have questions about accessibility, please feel free to contact Helina Mazza-Hilway (mazzah@uchicago.edu) or Susan Su (susansu@uchicago.edu).

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Fall Quarter 2017 Calendar

Flowering Cherry and Autumn Maples with Poem Slips. Tosa Mitsuoki (c. 1617-1691) on a six-panel screen; ink, color, gold, and silver on silk.

10/6    Will Carroll, PhD Candidate in Cinema and Media Studies and EALC
“I don’t masturbate; I fight!”: The Specter of Kita Ikki in Suzuki Seijun’s Fighting Elegy
Time & location: 3:30pm in Wieboldt 301N

10/20   Matthew Lowenstein, PhD Student in History
“An American Banker in Shanghai: Frank J. Raven in Historiographical Perspective”
Time & location: 3pm in Wieboldt 301N

10/27   Reiko Abe Auestad, Professor, Department of Culture Studies and Oriental Languages, University of Oslo
“Tsushima Yūko (1947-2016): Calling Upon the Dead”
Time & location: 3pm in CEAS 319

11/3     Nicholas Wong, PhD Candidate in Comparative Literature
“Literary Collectives and “Minor” Time in Late 1950s Mahua Autobiographical Fiction and Reportage”
Time & location: 3pm in CEAS 319

11/10    Yuqian Yan, PhD Candidate in Cinema and Media Studies and EALC
“Embodying the Ancient: The Body and its Costume”
Time & location: 3pm in CEAS 319
Co-hosted with the Mass Culture Workshop

11/17    Sohye Kim, PhD Candidate in EALC
“Zhang Lu’s Landing in South Korea: The Fashioning of Spectatorship in a Globalizing and ‘Multicultural’ Society” (working title)
Time & location: 3pm in CEAS 319

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Hyunjeong Lee

Friday, June 2, 3:00 – 5:00 p.m. in CEAS 319 (1155 E. 60th St.)

Hyunjeong Lee, Against the Bamboo Curtain: Ri Yŏng-hŭi’s Writings on China in the 1970s

Please join us this Friday for a presentation by Hyunjeong Lee, Associate Professor in Department of Chinese Language and Culture at the University of Seoul. Professor Lee summarizes her talk as follows:

This talk revisits South Korean journalist and scholar Ri Yŏng-hŭi’s (1929-2010) writings on China in the 1970s in an attempt to find a productive way to approach China’s socialist experience within the context of Korean intellectual history. Ri’s lively and rigorous writings on contemporary China in the 1970s, which relentlessly challenged the mainstream anti-Communist views, had a profound impact on South Korea’s younger generation of the time. However, after witnessing the collapse of the Soviet Union in 1991, as well as the political and social changes that occurred in China after the 1980s, Ri admitted not only that his knowledge of contemporary Chinese affairs was far from complete, but also that his enthusiasm about Chinese socialism was mistakenly ideal.

As I closely examine the details of Ri’s retreat in his position with regards to Chinese socialism and the significance of this retreat for South Korean intellectuals, I suggest that Ri’s retreat leads us to confront the fundamental dilemma embedded in the Cultural Revolution, that is, the complex relationship between enlightenment and collectivity. Based on Ri’s perception of the Cultural Revolution as “a revolution of humanity,” as well as his understanding of Chinese writer Lu Xun, I argue that Ri appreciated the coexistence of enlightenment and collectivity at some level during the Cultural Revolution, although he was not able to fully tease out the above-mentioned dilemma underlying this coexistence. Korean scholars of the present day need to contemplate the dilemma that Ri left unclarified as he retreated.

Please note that there will be no pre-circulated paper for this meeting. As our final meeting of the year, the workshop will be followed by a reception with food and drinks. We look forward to your attendance!

Brian White

Friday, May 19, 3:00 – 5:00 p.m. in Wieboldt 301N

Brian White, “Cyborg Self, Android Other: Race, Technology, and Subjectivity in Japanese SF”

Discussant: Sabine Schulz (PhD Student, EALC)

Please join us this Friday (5/19) as we host Brian White (PhD Student, EALC). Brian will present a draft of his dissertation proposal. He summarizes the project as follows:

The dissertation project outlined in this proposal seeks to bring together three conceptual concerns – technology, race, and the body – through the mediating object of Japanese science fiction (SF) media across the 20th century.  Looking at the three key historical moments of the 1920s-30s, 1960s, and 1990s-2000s, the project asks how the racialized body has persisted as a site of contestation, even as technological advancement and (post)modernity attempted to efface it as such.  In part a continuation of recent attempts to read genre literature into Japanese media history, and in part an investigation of how East Asian area studies can add additional nuance to the conversation on race and SF already begun by Afrofuturist studies, the proposed dissertation lies precisely at the intersection of media studies and area studies.

The paper is available at this link. If you do not have the password, or if you have concerns about accessibility, please contact Alex Murphy at murphya1@uchicago.edu.

Robert Tierney

Friday, May 12, 4:00 – 6:00 p.m. in CEAS 319 (1155 E. 60th St.)

Robert Tierney, “Terminal Time, Authenticity, and Looking Back at Meiji”

This Friday, in conjunction with the East Asia: Transregional Histories workshop and the Midwestern Japanese Studies Workshop, we are pleased to host Robert Tierney (Associate Professor of Japanese Literature, University of Illinois at Urbana-Champaign.

Professor Tierney will be presenting a chapter draft from his current book project. The chapter is an exploration of the writing of Nakae Chōmin’s One Year and a Half and its sequel, composed in 1901 after Chōmin was diagnosed with terminal cancer. In the chapter, Professor Tierney explores the concept of “terminal time,” and how Chōmin both reacted to and learned to live with his death sentence as reflected in the two novels.

The paper is available at this link. If you do not have the password, or if you have concerns about accessibility, please contact Alex Murphy at murphya1@uchicago.edu.

Daniela Licandro

Friday, April 28, 3:00 – 5:00 p.m. in CEAS 319 (1155 E. 60th St.)

Daniela Licandro, “Clumsy Democracy, Clumsy Jiantao: The Construction of a Collective Identity in Wei Junyi’s Recollections of Pain

Please join us this Friday as we host Daniela Licandro (PhD Candidate, EALC). Daniela will present a draft of one of her dissertation chapters, which she summarizes as follows:

This chapter explores the intersection of personal and collective memory in Wei Junyi’s (韦君宜1917-2002) understudied memoir, Recollections of Pain (Si tong lu思痛录, 1998). Written between 1976 and 1989, Wei’s text stands out in the sea of post-Mao memoirs that have tried to come to terms with the sufferings of the revolutionary era. The effort to critically reflect on the past, personal and collective, ensures Wei’s memoir a place in the large body of “literature of reflection” (fansi wenxue反思文学). The chapter engages with the “reflective” agenda of the text and asks how reflection operates, what its models are, and how it relates to the collective identity constructed in the text. I argue that self-criticism (jiantao 检讨)—the socialist practice of self-analysis meant to identify one’s mistakes and reform oneself—provides Wei Junyi with an important model to examine the past. The logic of self-criticism is summarized by the formula “unity-struggle-unity.” Wei’s memoir, in its entirety, re-enacts the formula. On trial is her and other people’s deviation from the original project of eliminating privileges and building a democracy. In the “self-criticism” Wei carries out the “self” is however not simply the individual self but a collective self. It is this collective identity that allows Wei to intertwine, in the memoir, the widely felt urgency to reflect on the past with contemporary debates on democracy. My study of the intersection of personal and collective identity in Recollections of Pain shows how collective narratives did not disappear immediately after the end of the revolutionary period. Moreover, reading Wei’s memoir from the perspective of how it recuperates and/or departs from the rhetoric and structure of jiantao allows a better understanding not only of the place of self-criticism within the broader context of cultural and literary practices, but also of its relation to the way literature was imagined, desired, and pursued.

The paper is available directly below, or at this link. If you have not received the password, or have questions about accessibility, please feel free to contact Alex Murphy at murphya1@uchicago.edu.