May 27, 2014
Please join us this Thursday 29th May for our final EthNoise workshop of the year.
We would like to welcome our very own Ph.D. student Maria Welch who will present the following paper:
“Sounding the Body, Singing the Soul: the Musical Labor of Guarani Youth Choirs.”
As modernity continues to reshape Brazil, indigenous communities lay claim to their representation vis-à-vis expressive practices that frame their identity as integral in ecological and cultural stewardship. In my research, I purport to examine the pedagogy and transmission of voiced and embodied expressive practices among Guarani youth. As both an identity and praxis, children’s choirs have constituted a key axis in the meditational means employed by the Guarani to negotiate the politics of culture. Through an engagement with the emic category of ‘childhood’ and its musical production in three villages both rural and urban, my methodology will analyze the vocal and kinetic expression of youth choirs and their socio-cultural, as well as cosmological, significance.
May 9, 2014
Please join us Thursday 15th May for our penultimate EthNoise workshop of the year.
We would like to welcome Professor Ron Pen of the University of Kentucky who will present the following paper:
“Kyrgyzstan and Kentucky Embraced a Local and Global Dialogue”
The negotiation of local and global perceptions of culture has been shaped by popular culture dissemination, social media, ease of travel, and increasing urbanization. The East Kentucky region of Appalachia and the mountainous Tien Shan area of Kyrgyzstan have been conceived as oppositional forces harboring traditional cultures bound to community in continuity despite changing modern political and social contexts.
Both cultures have been used to exemplify national identity. In the United States Appalachia represented a bastion of British culture in opposition to the diversity of immigration In Kyrgyzstan, traditional nomadic culture represented core values in opposition to Russian and Soviet influence. In both cases, the mountains were conceived as symbolic and actual borders that protected traditional culture.
Through several recent U.S. State Department-sponsored cultural exchange opportunities, I, in concert with an old time string band The Red State Ramblers, was in a position to interact with traditional Kyrgyz musicians. Observations concerning nationalism, myth, narrative epics, pedagogy, folklore strategies, and persistence of traditional culture in new contexts will be illustrated through a power point discussion and music.
Ron Pen is professor of music at the University of Kentucky where he also serves as director of the John Jacob Niles Center for American Music and coordinator of the Division of Musicology and Ethnomusicology. With research and performance interests in traditional Appalachian culture, he is a fiddler with the Red State Ramblers and a founding member of the Appalachian Association of Sacred Harp Singers. As a member of the Red State Ramblers he has participated in U.S. State Department cultural exchanges in Kyrgyzstan, China, and Ecuador. His recent publications include I Wonder As I Wander: The Biography of John Jacob Niles (University Press of Kentucky 2010) and “Preservation and Presentation of the Folk: Forging an American Identity” in Music, American Made: Essays in Honor of John Graziano (Harmonie Park Press 2011).