MONDAY, January 22nd, Joseph Torres, “The Worldmaking of the Parasite in John Donne’s Metempsychosis”

Please join the Renaissance Workshop

MONDAY, January 22nd, when

Joseph Torres

PhD Candidate, University of California Los Angeles

presents the paper

“The Worldmaking of the Parasite in John Donne’s Metempsychosis

MONDAY, January 22nd

5:00-6:30pm

Cobb Hall 430
*please note the different room*

The paper, to be read in advance, has been distributed to the Renaissance Workshop mailing list and is available on our website under the password “posthumanism.” Light refreshments will be served.

Abstract:

John Donne’s Metempsychosis (1601) is a thought-experiment that satirizes the Pythagorean system of metempsychosis as depicted in Ovid’s Metamorphoses.1 This system serves as a legacy for Donne’s poem, but the poem depicts it as a post facto, synthetic, mental operation to make sense of the accidental array of circumstances that constitute the past. The “great Soul,” as Donne calls his protagonist, perpetually dies and reincarnates in multiple forms—vegetable, animal, and human (11).2 Throughout the text, the great soul becomes an effective parasite because she moves through different permutations of parasitic logic, learning how to locate weaknesses and take advantage of inherent flaws in new situations. Thus I draw on Michel Serres’s The Parasite, which argues that the asymmetrical relation of taking without giving is the basis for a model of parasitism that applies to a variety of contexts, including literary works.3 Parasitic logic provides linkages between the senses of failure and the posthumanist intuitions circulating throughout Metempsychosis. The poem capitalizes on weaknesses in traditional discourses and converts these flaws or failures into opportunities for remaking worlds. Virtually any form (perhaps all forms) of intertextuality can entail a species of parasitism, but the parasitic position of Metempsychosis subverts the older, universal sense of “the world” from within. In turn, the tactical, unfinished dimension of this worldmaking operation sets the stage for the dislocating effects associated with the text’s emergent, posthumanist insights. Donne’s poem shows the affinity between parasitic logic and posthumanist investments in thinking about the tenuous link between intentional agency and contingent processes.

If you would like to join our mailing list, please click here. We are committed to making our workshop accessible to all persons. Questions, requests, and concerns should be directed to Andrés Irigoyen (airigoyen@uchicago.edu) or Alyssa Mulé (amule@uchicago.edu).

MONDAY, November 27th, Elisha Hamlin, “‘Cruel, Irreligious Piety’: Eucharistic Tropes and Witnessing Whiteness in Shakespeare’s Titus Andronicus”

Please join the Renaissance Workshop

Monday, November 27th, when

Elisha Hamlin

Graduate of the MAPH program, University of Chicago
presents the paper

“‘Cruel, Irreligious Piety’: Eucharistic Tropes and Witnessing Whiteness in Shakespeare’s Titus Andronicus
MONDAY, November 27th

5:00-6:30pm

Rosenwald 301
*please note the different room*

The paper, to be read in advance, has been distributed to the Renaissance Workshop mailing list and is available on our website under the password “eucharist.” Light refreshments will be served.

Abstract:

While the excessive and chaotic violence of Titus Andronicus may distinguish it from Shakespeare’s broader body of work, this thesis examines how that violence echoes the presentations of the Eucharist in medieval mystery plays. These sacramental tropes are not passive elements of the story, but rather rituals activated by the Andronici in their struggle to assert a dominant picture of Roman identity. While largely removed from its theological significance, the Eucharist as trope offers a specific pattern of presentation that the characters draw upon to display a version of Roman piety tied to performative whiteness in contrast to the black characters of the play, witnessed to by both the other characters in the play and Shakespeare’s early modern audience.

If you would like to join our mailing list, please click here. We are committed to making our workshop accessible to all persons. Questions, requests, and concerns should be directed to Andrés Irigoyen (airigoyen@uchicago.edu) or Alyssa Mulé (amule@uchicago.edu).

MONDAY, November 6th, Elizabeth Hines, “Anglo-Dutch Imperial Experiments”

Please join the Renaissance Workshop
MONDAY, November 6th, when
Elizabeth Hines
Ph.D. Candidate in History at the University of Chicago
presents the paper:
“Anglo-Dutch Imperial Experiments”
MONDAY, November 6th
5:00-6:30pm
Rosenwald 301 (note the different room)
The paper, to be read in advance, has been distributed to the Renaissance Workshop mailing list and is available on our website here under the password “palatinate.” Light refreshments will be served.
If you would like to join our mailing list, please click here. We are committed to making our workshop accessible to all persons. Questions, requests, and concerns should be directed to Andrés Irigoyen (airigoyen@uchicago.edu) or Alyssa Mule (amule@uchicago.edu).
Image: William II, Prince of Orange, and his Bride, Mary Stuart, 1641, by Anthony van Dyck

MONDAY, October 23rd, Jenny Birkett, “Shakespeare’s Possessive Pet Names”

Please join the Renaissance Workshop

Monday, October 23rd, when

Jenny Birkett

Postdoctoral Fellow with Shakespeare, University of Notre Dame
presents the paper

“Shakespeare’s Possessive Pet Names”
MONDAY, October 23rd

5:00-6:30pm

Rosenwald 301
*please note the different room*

The paper, to be read in advance, has been distributed to the Renaissance Workshop mailing list and is available on our website under the password “endearment.” Light refreshments will be served.

Abstract:

In this paper, I contest the claim that Shakespeare’s most used form of endearment is animal terminology (such as duck), by highlighting that the most common affectionate vocative construction in Shakespeare’s plays is actually the combination of a genitive possessive (such as my, thy, your, our) with either a proper name (such as “my Hermia”), a title (such as “my lord”), or an endearing term (such as “my love”, or “my sweet”). Using A Midsummer Night’s Dream as a case study, I analyze the ways in which possessive endearments enact early modern marriage by portraying a relationship tangled in issues of dominance, submission, and mutual affection. This paper acts as the first of five chapters in my current book project on terms of endearment in early modern drama.

If you would like to join our mailing list, please click here. We are committed to making our workshop accessible to all persons. Questions, requests, and concerns should be directed to Andrés Irigoyen (airigoyen@uchicago.edu) or Alyssa Mulé (amule@uchicago.edu).

MONDAY, Oct. 9th, Richard Strier, “Bangs and Whimpers: Notes on The Early Versions of King Lear”

Please join the Renaissance Workshop

MONDAY, October 9th, when

Richard Strier 

Frank L. Sulzberger Distinguished Service Professor Emeritus at the University of Chicago

presents the paper:

“Bangs and Whimpers: Notes on The Early Versions of King Lear”

MONDAY, October 9th 

5:00-6:30pm 

Rosenwald 301 (note the different room)

 

The paper, to be read in advance, has been distributed to the Renaissance Workshop mailing list and is available on our website here under the password “twofer.” Light refreshments will be served.

If you would like to join our mailing list, please click here. We are committed to making our workshop accessible to all persons. Questions, requests, and concerns should be directed to Andrés Irigoyen (airigoyen@uchicago.edu) or Alyssa Mule (amule@uchicago.edu).

Renaissance Workshop Autumn 2023 Schedule

Dear Colleagues, 

 

We are happy to announce the Renaissance Workshop’s Autumn 2023 schedule, which can be found in full below. The workshop meets on Mondays from 5:00-6:30pm in Rosenwald 301 (note the room change) unless otherwise specified. Should you like to join a meeting via Zoom, please email either Alyssa Mule (amule@uchicago.edu) or Andrés Irigoyen (airigoyen@uchicago.edu) for accommodation. In the event that the meeting switches to a virtual setting, we will notify you in the announcement a week in advance of the event. 

 

Materials for the workshop, as well as the schedule and any updates, are available on our website. The Renaissance Workshop is free and open to the public, and we encourage those new to the workshop to attend. 

 

We look forward to seeing you on Monday, October 9th when Richard Strier (Frank L. Sulzberger Distinguished Service Professor Emeritus) will present the paper “Bangs and Whimpers: Notes on The Early Versions of King Lear.

 

Best, 

 

Andrés and Alyssa

 

AUTUMN 2023 

 

October 9th | Richard Strier

Frank L. Sulzberger Distinguished Service Professor Emeritus

University of Chicago

“Bangs and Whimpers: Notes on The Early Versions of King Lear.

 

October 23rd | Jennifer Thorup Birkett 

Postdoctoral Fellow

University of Notre Dame 

Title TBD 

 

November 6th | Elizabeth Hines 

PhD Candidate, University of Chicago 

“Imperial Experiments” 

 

November 27th | Elisha Hamlin 

MAPH Student, University of Chicago 

“‘Cruel, Irreligious Piety:’ Eucharistic Tropes and Witnessing Whiteness in Shakespeare’s Titus Andronicus”