November 24, 2017November 25, 2017ss Protected: Nov 27: Tracy C. Davis, “Lives Spent in Advocacy and Judgement: Forms of Performance”
November 8, 2017November 9, 2017ss Protected: Nov 13: Amy Stebbins: Actor/Akteur: Autonomy and Authorship in Castorf’s Theater
October 23, 2017October 27, 2017ss Protected: Oct 30, Marissa Fenley: Be A Puppet: Tales of Hoffmann as a Model for Comedic Resistance Under the Trump Regime
October 13, 2017October 13, 2017ss Protected: Oct 16, Danielle Roper: Blackface at the Andean Fiesta: Performing blackness in the ‘Danza de Caporales’
May 11, 2017May 12, 2017ss Protected: May 15, John Muse: Virtual Theater as Critical Theory: Jonathan Ball’s ‘Clockfire’
April 22, 2017April 24, 2017ss May 1, Joshua Chambers-Letson, “How it Would Feel to be Free: Towards a Theory of Minoritarian Performance”
April 12, 2017April 12, 2017ss Apr 17, 4:30 pm: Michael Allemana, “Ethnomusicology of Jazz: the Tensions and Connections Between Performance and Scholarship”
March 27, 2017March 27, 2017ss Protected: April 3, 4:30 pm: Alex Murphy, “Becoming Un-Japanese: Racialization and Nisei Performance in Interwar Japan and the United States”
February 23, 2017February 23, 2017anner Friday, Mar 3: 4:30-6:30pm: Panpan Yang, “The Romance of Lychee and Mirror: Teochew Opera Film and the Question of Remediation”
February 13, 2017February 13, 2017anner Protected: Feb 20, 4:30: Yiren Zheng: Sounding the Ineffable: On Third-century Chinese Whistling as an Alternative Voice
January 29, 2017January 29, 2017anner Protected: Feb 6, 4:30pm: Danielle Roper, “Hemispheric Blackface: Theorizing Blackface Performance at the Andean Fiesta”
January 14, 2017January 14, 2017anner Protected: Jan 23, 4:30pm: Sharvari Sastry, “Between Ephemerality and Endurance: Performing Indian Theatre History”