Visiting Scholar Special Workshop: Dong Rui

Dong Rui. PhD., Visiting Scholar, Department of Art History, University of Chicago; Associate Professor, School of Fine Arts, Henan University

 

Nostalgia for Inner Asia: Form and Idea in the Portrait of the Filial Grandson Yuan Gu on Stone Funerary Couch from the Eastern Wei Dynasty (548 CE)
内亚的留恋:安阳东魏围屏石棺床孝孙原榖画像的形式与理念

 

Discussant: Lin Wei-Cheng, Associate Professor, Department of Art History, University of Chicago

Friday, Nov 13th, 2020
5-7 pm, Zoom meeting (please find the registration link below)
This talk will be delivered in Chinese

Abstract: This study focuses on two illustrations of filial grandson Yuan Gu story from an Eastern Wei stone screen attached to a stone funerary couch. This stone funerary couch was excavated in 2007 from Tomb M57 (548 CE) in Anyang, Henan Province. Notably, one illustration of filial grandson Yuan Gu departed from its iconographic convention but presented the theme with Yuan Gu’s parents carrying an empty stretcher, with a standing female figure on the side. A closer examination of this unique illustration of the “filial grandson Yuan Gu” theme will shed light on a more nuanced understanding of Northern Wei rulers’ promotion of Confucianism and their attachment to Inner Asian traditions.

摘要:2007年,在河南省安阳发掘了一座东魏时期的(公元548年)夫妇合葬墓M57, 出土文物中包含了一座刻有二幅孝孙原榖等12幅画像的围屏石棺床。尤为特别的是,其中一幅孝孙原榖画像中,原榖父母所抬的是一副无人的担架,但在担架旁边站立着一女性,这种形式是目前所见孝孙原榖画像中的孤例。该画像从一个侧面反映了北魏统治者在入主中原后对儒家文化的有限接受和对内亚传统文化的留恋。这一实物或许可以从一个新的侧面折射出鲜卑大力推行汉化,却最终还是失败的原因。

2007年河南安阳固岸墓地M57号东魏墓,夫妇合葬石棺床

 

Register in advance for this meeting:
https://uchicago.zoom.us/meeting/register/tJUodeuhpz0uGdGtJN_GcvLlX92vBSavtu5H

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Dong Rui received his PhD from the Central Academy of Fine Arts in 2013. From 2005 to 2013, he worked in the office of South–North Water Transfer Project of Henan Provincial Cultural Relics Bureau. In 2013 he starts to work at Henan University in the School of Fine Art as an associate professor, and is currently a visiting scholar with the University of Chicago. His publications appear in a number of journals including Journal of Zhengzhou University, Art History Research, and Huaxia Archaeology. Hs is also the author of The Research of Hollow brick tombs in Han dynasty 汉代空心砖墓研究 (2019).

Wei-Cheng Lin is Associate Professor in the Department of Art History at the University of Chicago. Lin specializes in the history of Chinese art and architecture, with a focus on medieval period, and has published on both Buddhist and funeral art and architecture of medieval China. His first book, Building a Sacred Mountain: Buddhist Architecture of China’s Mount Wutai, was published in 2014 with the University of Washington Press. He has also written on topics related to traditional architecture in modern China. Lin is currently working on two book projects: Performative Architecture of China, explores architecture’s performative potential through history and the meanings enacted through such architectural performance. Necessarily Incomplete: Fragments of Chinese Artifacts investigate fragments of Chinese artifacts, as well as the cultural practices they solicited and engaged, to locate their agentic power in generating the multivalent significance of those artifacts, otherwise undetectable or overlooked.

Yifan Zou

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