The Frow readings have briefly alluded to the religious practice of confession and its strategic secularization into a device for modern literature. Traditionally, the ritual of confession serves for the confessor to acknowledge his or her wrongs in aims to be absolved of sin/ignominy (forgiveness), reform himself or herself through penance, and ultimately be reborn of conscience. In The Sympathizer, Viet Than Nguyen structures the narrative as the protagonist’s confession to his unidentified “Commandant.” In keeping with the Augustinian model of confession, the narrative includes both admittance of wrongdoing as well as proclamations of faith. This is demonstrated in the passage that opens Chapter 7: he admits his guilt over the assassination – “I confess that the major’s death troubled me greatly, Commandant…He was a relatively innocent man” – and then affirms his commitment to the revolutionary project, which serves as a stand-in for God in this book – “We’re revolutionaries, and revolutionaries can never be innocent” (111). This novel’s confessional structure, however, deviates strongly from the religious model because its narrator’s confession is not a voluntary enterprise; it is the result of an exercise of political force. Thus, contained within any ideological proclamations in the text, there is another layer of deception added to the already Janus-faced narrative. It makes me wonder, if in writing this confession the narrator becomes a reformed subject in the eyes of the state, how has his perspective and thus the story we receive been altered? Or how, if it all, does the narrator subvert the limitations of his prescribed confession?
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