Digital
Media
Workshop

About Us

The Digital Media Workshop is a forum for students and faculty who work on issues related to digital media across the Humanities, Social Sciences, Physical Sciences, and Computer Science at the University of Chicago. Because digital media spans theoretical scholarship, scientific inquiry, and artistic practice, this workshop gathers an interdisciplinary community to engage the political, aesthetic, social, cultural, historical, and technical dimensions of digital media across its many formats. Our faculty sponsors are Patrick Jagoda (English/Cinema & Media Studies), Kara Keeling (Cinema & Media Studies), and Pedro Lopes (Computer Science).

2020-21 Coordinators:

Ashleigh Cassemere-Stanfield
PhD Student, English Language and Literature
acstanfield@uchicago.edu

Sasha Crawford-Holland
PhD Student, Cinema and Media Studies
crawfordholland@uchicago.edu

For more information subscribe to our listserv.

Upcoming Events

“MACHINE LEARNING FOR THE WEB WITH TEACHABLE MACHINE, P5.JS, AND ML5.JS”

Monday, January 11, 2021
4:00pm-5:20pm

Presenters: Teodora Szasz, Computational Scientist, Research Computing Center, University of Chicago and Luis Ibanez, Senior Software Engineer, Google

Teodora Szasz is a Computational Scientist at the Research Computing Center of The University of Chicago. She brings to the field practical expertise in state-of-the-art advanced technology: Supercomputers, Cloud Computing, Machine Learning, Image Analysis Techniques, and Big Data.

Luis Ibanez works as Senior Software Engineer with the Cloud Security team at Google. He has taught several workshops on p5.js to college and high school students.

Keywords: Creative Coding. Critical Making. Data Visualization.

There is no pre-circulated paper for this session. Instead, we ask that participants watch the following short tutorials and experiment with their tools:

Teachable Machine tutorials
Tutorial 1: Gather samples
Tutorial 2: Train the model
Tutorial 3: Export the model
Creative coding in p5.js
Introduction to ml5.js https://ml5js.org/getting-started/hello-ml5
ml5.js examples on p5 web editor

Zoom Link
PW: digitalmedia

“SEQUENCE AND CONNECTION: TWO PARADIGMS OF DIGITAL LITERATURE AND THE NEED FOR A CRITIQUE OF AI WORKS”

Monday, January 25, 2021
*10:00am-11:20am

Presenter: Hannes Bajohr, Poet and Media Theorist, Basel University

Hannes Bajohr is a writer and an academic. He received his PhD from Columbia University with a PhD on Hans Blumenberg’s Theory of Language and is a Postdoc at Basel University’s media studies department. He writes digital poetry and is part of the writer’s collective 0x0a. His volume of digital poetry, Halbzeug (Berlin: Suhrkamp, 2018), will be published in an English translation this year with Counterpath Press. hannesbajohr.de | 0x0a.li

Keywords: Artificial Intelligence. Digital Poetics.

Co-sponsored with the Poetry and Poetics Workshop.

“GAMING BORDERS: FLOW, FAILURE, AND NATIONAL BELONGING IN PAPERS, PLEASE”

Monday, February 8, 2020
4:00pm-5:20pm

Presenter: Gary Kafer, PhD candidate, Department of Cinema & Media Studies, The Univerisity of Chicago.

Gary Kafer is a media theorist whose dissertation, “After Ubiquity: Atmospheres of Surveillance and the Technics of Social Difference,” explores how racial, gendered, and sexual difference operate as fundamental technical relations within contemporary digital surveillance systems.

Keywords: Surveillence. Games Studies. Immigration. Failure.

“CALL ME OBAMA?”: THE PERILS OF LIP SYNC IN A “CALL ME MAYBE” MASHUP AND JORDAN PEELE DEEPFAKE

Monday, March 8, 2021
4:00pm-5:20pm

Presenter: Amy Skjerseth, Ph.D. Candidate in the Department of Cinema and Media Studies at the University of Chicago and co-organizer of the Great Lakes Association for Sound Studies

Amy Skjerseth is a media theorist whose dissertation, “The Portable Pop Archive in Experimental Cinema: Technological Transformations of Aural Memory,” examines American and British artists who recast pop music in postwar avant-garde films up to today’s visual albums. From overdubbing to deepfakes, she argues that a vital strand of media practice uses found sound to politicize historical moments by appealing to personal and collective memory. She has published work in Film Criticism, [in]Transition: Journal of Videographic Film & Moving Image Studies, Spectator, and Theatre Research International.

Keywords: Sythetic Media. Sound Studies. Post-truth Media.

Co-sponsored with the Sound and Society Workshop

Past Events

2020 – 2021

November 6, 2020. “On Not Getting Over It: Interpretation, Delay, And Queer Modes Of Play.” Co-sponsored with the Mass Culture Workshop. Presenter: Daniel Lipson, Interaction designer and independent scholar, University of Chicago.

Canceled – November 2, 2020. “Are Drum Triggers Cheating? Death Metal, Schizophrenia, and Indigestible Digitization.” Presenter: Florian Walch, PhD candidate, Music History & Theory, University of Chicago.

October 26, 2020. “At Home: A short Animated Video on Pandemic Lifestyle Fantasies. Presenter: Lily Scherlis, Video artist and PhD student, English, University of Chicago.

October 19, 2020. “Logos: Exploring Law, Society, and the Power of Rhetoric Through Interactive Narrative.” Presenter: John Buterbaugh, Game designer and student in the College. Discussant: Patrick Jagoda, Professor, English and Cinema & Media Studies, University of Chicago.

2019

December 5, 2019. “Data Visualization for Storytellers.” Presenter:  Teodora Szasz, Computational Scientist, Research Computing Center, University of Chicago.

November 21, 2019. “Aesthetic Milieus to access Subjective Experience.” Presenter: Desiree Foerster, PhD candidate in Philosophy, Institute for Arts and Media, Potsdam, Germany & Visiting Scholar at the Department for Cinema and Media Studies, University of Chicago.

November 8, 2019. Virtual Reality Faculty Roundtable. Presenters: Snow Yunxue Fu, Assistant Arts Professor in the Department of Photography and Imaging, Tisch School of the Arts at New York University. Pedro Lopes, Assistant Professor in the Department of Computer Science, University of Chicago. Lisa Zaher, Adjunct Assistant Professor in Art History, Theory and Criticism, School of the Art Institute of Chicago & Visiting Lecturer in Art History, University of Chicago.

October 31, 2019. “Sensing Landscape.” Presenter: Saadia Mirza, PhD Candidate in Anthropology, University of Chicago.

October 10, 2019. “Machine Learning Applications for Live Computer Music Performance.” Presenter: Ted Moore, PhD Candidate in Music Composition, University of Chicago.

2020-21
Call For Proposals

We welcome a range of traditional and experimental presentation formats from students, faculty, and visiting scholars. These include discussing in-progress articles or chapters, roundtables on relevant topics, play testing for game design, performances of electronic music, presentations of scientific research for an interdisciplinary audience, close readings of code from humanistic and scientific perspectives, and exhibitions of digital humanities projects.

As this year’s workshops will take place remotely via Zoom, we welcome presentational formats that center the specific affordances of remote connectivity, as well as those that address its limitations. These include collaborative, hands-on work with wiki-editing, digital whiteboarding, digital sketching, and chat-based improvisation/role-playing.

We especially encourage presentations that address issues related to racial justice, life in a pandemic, and ways of living apart together. Potential topics include digital organizing, sousveillance, predictive policing, facial recognition software, mediated racial formations, (de)platformed hate speech, electoral politics on social media, medical surveillance, pandemic modeling, mediated intimacy, live streaming, remote labor, returns to the haptic, collaboration at a distance, and of course, Zoom.

We continue to welcome presentations that explore any aspect of the contemporary and historical study of digital media, including social networks, climate models, video games, geospatial mapping, Human-Computer Interaction, electronic music production, virtual and augmented reality, biometric surveillance, and machine learning.

If you would like to propose a topic for presentation, please submit a brief proposal to both Ashleigh Cassemere-Stanfield (acstanfield@uchicago.edu) and Sasha Crawford-Holland (crawfordholland@uchicago.edu).

Proposals should be 150-200 words in length and include the following

– A provisional title
– A short bio
– Type of presentation (e.g. dissertation chapter, article in progress, research findings, collaborative session, game demo, roundtable).
– A short description of the content and/or argument.
– Any specific technical and/or AV needs.

Land Acknowledgement

Land acknowledgements serve as an occasion to reflect on the practices of displacement and dispossession that have produced the conditions in which we gather. At the University of Chicago, such practices continue to guide institutional conduct.

The Digital Media Workshop is typically held at the Media, Arts, Data, and Design Center at the University of Chicago on the homelands of the Council of Three Fires—the Odawa, Ojibwe, and Potawatomi. Nations including the Ho-Chunk, Miami, Menominee, and Sac and Fox also stewarded these lands and waterways for generations. Despite centuries of ongoing colonial violence, tens of thousands of Indigenous people continue to call this territory home.

Yet as we gather remotely this year, it becomes more difficult to pinpoint the specific histories in which we are implicated and the treaties and legal orders we are obliged to uphold. In addition to the many locations from which each of you join us, we now depend more than ever on infrastructures so vastly distributed that they call the entire global history of colonization into play.

The fiber-optic cables transmitting us to one another as data are buried along the same routes as the telegraph lines and railroads that sustained colonial conquest. In the nineteenth century, those railroads directly enabled John D. Rockefeller and Silas Cobb to extract the wealth that was combined with a founding endowment financed by enslaved people’s labour to establish the modern University of Chicago. The British Empire’s telegraph network exploited native lands and labour as indispensable resources supporting imperial connectivity while excluding those labourers from its benefits. Likewise, today’s digital connections are secured by infrastructures built on stolen lands while Indigenous peoples across Turtle Island are disproportionately deprived of access to the high-speed connections that have become increasingly vital to survival.

The platform hosting our meetings, Zoom, depends on a global network of high-emissions data centers, including the Digital Realty Data Center located four miles from the university—one of the largest data centers in the world. The cloud computing economy values territory in this region because it is thought to be relatively insulated from the environmental risks to which it contributes. Those risks are distributed unevenly, concentrated on frontline communities that are overwhelmingly Black and Indigenous. The same is true of the natural resource extraction that allows us to gather remotely. For example, Indigenous peoples in Bolivia, Argentina, and Chile have seen their freshwater supplies diverted to support lithium mining, resulting in economic and ecological devastation.

Land acknowledgements run the risk of becoming prophylactic housekeeping items. But done properly, they ask: now that we know this in common, what does it commit us to doing? How shall we respond to these circumstances?

If you would like to help us begin to answer these questions, please contact the workshop coordinators and/or join our sessions.

Further Reading