Friday, June 5th: Joel Snyder

Please join us on Friday, June 5th from 11 am to 12:30 pm via Zoom.

We are delighted to welcome Joel Snyder, Professor Emeritus in the Department of Art History, who will be presenting a paper titled “Photography, Ontology, Analogy, Compulsion.”

Man Ray, Space Writing, 1935

You can access the document here.

Please do not circulate without permissionEmail either Sophie (sophielynch@uchicago.edu) or Tanya (tanyad@uchicago.edu) for the password and the link to the Zoom meeting.

We look forward to seeing you!

Yours in Mass Cult,

Tanya and Sophie

January 17th, 2020: Panpan Yang

Please join us on Friday, January 17th 2020  from 4:30-6:30 pm in CWAC 152.

We are delighted to welcome Panpan Yang, PhD Candidate in Cinema and Media Studies & East Asian Languages and Civilizations who will be presenting part of her dissertation in a workshop titled “Ink on Screen, or What Animation Calls Thinking.”

W.J.T. Mitchell, Gaylord Donnelley Distinguished Service Professor, Departments of English, Art History, and Visual Arts will provide a response.

Event co-sponsored with the Visual and Material Perspectives on East Asia Workshop

Herdboy and the Flute (Shanghai Animation Studio, 1963). Courtesy of the China Film Archive.

This presentation reanimates the history of ink animation (水墨動畫) from the 1960s to the present. In its two golden eras, Shanghai Animation Studio produced some extremely exquisite ink animated films, such as Herdboy and the Flute (1963) and Feeling from Mountain and Water (1988). Most frames of these ink animated films, if frozen, are Chinese landscape paintings (山水畫, sometimes translated as “mountain-and-water paintings”). I show that the animated landscapes in the distinct genre of Chinese animation importune contemplation on space and time to a degree unthinkable in either live-action cinema or traditional “motionless” landscape images in painting, photography, and other media. Segueing into the recent trend of experimental ink animation, this talk also addresses how animation, in all its mobility, moves in and out of the sphere of contemporary Chinese art.


Panpan Yang is a Ph.D. candidate in the joint program in Cinema and Media Studies and East Asian Languages and Civilizations. She studies East Asian cinema, media, and visual arts. Her dissertation, of which today’s talk is a part, examines Chinese animation in relation to other art forms. Supported by UChicago Arts, she is also working on a work of experimental animation, which animates a series of “wave and ripple” drawings from Hamonshū, a 1903 Japanese design book by little known artist Mori Yuzan.

We look forward to seeing you!

Yours in Mass Cult,

Sophie and Tanya

October 18th, 2019: Katerina Korola

Please join us on Friday, Oct 18, 2019 from 11:00am-12:30pm in Cobb 311.

We are delighted to welcome Katerina Korola, PhD Candidate in Cinema and Media Studies & Art History at the University of Chicago. She will be presenting materials related to a first dissertation chapter, titled “Fresh Air Photography.”

Katerina’s document is available for download here.

Please do not circulate without permission. Email either Sophie (sophielynch@uchicago.edu) or Tanya (tanyad@uchicago.edu) for the password.

Refreshment will be provided.

We look forward to seeing you!

Yours in Mass Cult,

Sophie and Tanya


Katerina Korola is a PhD student pursuing a joint-degree in the Departments of Cinema and Media Studies and Art History. Interested in the nexus of ecology and media, her research focuses on set design and other forms of designed environments in early twentieth-century Germany (greenhouses, department stores, film studios, theatres, exhibition spaces). Other research interests include traditions of visionary architecture in the twentieth-century; decay and waste in postwar art and film; and the archive in contemporary art and film practices.