Please join us on Friday, January 17th 2020 from 4:30-6:30 pm in CWAC 152.
We are delighted to welcome Panpan Yang, PhD Candidate in Cinema and Media Studies & East Asian Languages and Civilizations who will be presenting part of her dissertation in a workshop titled “Ink on Screen, or What Animation Calls Thinking.”
W.J.T. Mitchell, Gaylord Donnelley Distinguished Service Professor, Departments of English, Art History, and Visual Arts will provide a response.
Event co-sponsored with the Visual and Material Perspectives on East Asia Workshop
This presentation reanimates the history of ink animation (水墨動畫) from the 1960s to the present. In its two golden eras, Shanghai Animation Studio produced some extremely exquisite ink animated films, such as Herdboy and the Flute (1963) and Feeling from Mountain and Water (1988). Most frames of these ink animated films, if frozen, are Chinese landscape paintings (山水畫, sometimes translated as “mountain-and-water paintings”). I show that the animated landscapes in the distinct genre of Chinese animation importune contemplation on space and time to a degree unthinkable in either live-action cinema or traditional “motionless” landscape images in painting, photography, and other media. Segueing into the recent trend of experimental ink animation, this talk also addresses how animation, in all its mobility, moves in and out of the sphere of contemporary Chinese art.
Panpan Yang is a Ph.D. candidate in the joint program in Cinema and Media Studies and East Asian Languages and Civilizations. She studies East Asian cinema, media, and visual arts. Her dissertation, of which today’s talk is a part, examines Chinese animation in relation to other art forms. Supported by UChicago Arts, she is also working on a work of experimental animation, which animates a series of “wave and ripple” drawings from Hamonshū, a 1903 Japanese design book by little known artist Mori Yuzan.
We look forward to seeing you!
Yours in Mass Cult,
Sophie and Tanya