Autumn 2015 Workshop Dates
Music History and Theory Workshop will meet on the following dates this quarter: mark your calendars now, and stay tuned for further details once the fall schedule is confirmed. October 7 October 21 November 4 November 18 December 2 SMT presentation dry-runs will be held on 10/21, and AMS dry-runs will be held on 11/4….
Read MoreJune 3: Gary Tomlinson
We are beyond delighted to welcome distinguished guest, Gary Tomlinson, for our final workshop of the quarter, taking place next Wednesday, June 3rd (4:30-6:00 PM in Logan 801). Professor Tomlinson will be discussing his recently published book, A Million Years of Music: The Emergence of Human Modernity (Zone Books/MIT Press, 2015), a richly woven narrative about the evolution of human musicking…
Read MoreMay 20: Su Yin Mak
For the penultimate session of our annual series (this Wednesday, 4:30–6:00 in Logan 801), we are thoroughly honored to welcome special guest Su Yin Mak, Associate Professor of Music Theory at the Chinese University of Hong Kong. Professor Mak will present a paper on “Schillerian Aesthetic Play in Schubert’s String Quartet in A minor, D. 804” (draft…
Read MoreMay 6: Patrick Kaufman
We are excited to welcome Patrick Kaufman to the workshop this Wednesday (4:30 p.m., Logan 801) as he presents his paper, “Alia Practica Musicae” (Another Practice of Music). In it, Patrick considers historical and intellectual context to put forward an alternative reading of Gaffurio’s landmark Practica musicae of 1496, ultimately suggesting that its references to Roman banquet culture and Neoplatonic secret philosophy…
Read MoreApril 22: Susan Hohl
We are delighted to welcome Susan Hohl to the workshop this Wednesday (4:30–6:00 in Logan 801) as she sheds light on the coordinates of Liszt’s personae as traveler, reader, and musician. As a PhD candidate in Comparative Literature, Susan draws on a broad interdisciplinary background, as is amply evident from her paper “Reading as Pilgrimage: The Stations of Liszt’s Literary Imagination and Recovering the Music…
Read MoreApril 8: Chelsea Burns
Please join us for the first workshop of the quarter this coming Wednesday (April 8th; 4:30-6:00 pm in Logan 801). Chelsea Burns will present material from her work in progress, “’Way Down South in Dixie’: Langston Hughes and Blackness in the American South as Interpreted by Carlos Chávez and Silvestre Revueltas” (accessible here). We look forward…
Read MoreSpring 2015 Schedule
April 8 Chelsea Burns, PhD Candidate in Music History/Theory “Way Down South in Dixie”: Langston Hughes and Blackness in the American South …
Read MoreZach Loeffler and Max Silva
Please join us for the last workshop of the quarter (Wednesday March 4; 4:30-6:00 pm in Logan 801) as Zach Loeffler and Max Silva present material from their dissertation proposal drafts. We look forward to seeing you all there!
Read MoreFeb. 18: Sarah Iker
On February 18 (4:30–6:00, Logan 801) we are delighted to welcome our friend, colleague, and resident maven of all things Stravinsky, Sarah Iker. Sarah is sharing her hot-off-the-press draft of a new dissertation chapter, “Reviving Pergolesi in Stravinsky’s Pulcinella” (accessible here); Chelsea Burns is serving as respondent. Please join us for what is sure to be a punchy, vivacious discussion!
Read MoreFebruary 4: Gilad Cohen
Please join us for our next workshop (February 4, 4:30–6:00 p.m., Logan 801) as we welcome Gilad Cohen, Assistant Professor of Music Performance/Theory at Ramapo College, who will be presenting a paper entitled “Breaking Away From the Pack: Unique Large-Scale Structure in Pink Floyd’s Song ‘Dogs’”. He writes: In their seventeen-minute track “Dogs” from the 1977 LP Animals,…
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