Author: marissa
Protected: April 23rd, Honey Crawford, “The Course of Feitiço in the Turning Wind”
Protected: April 9th: Ilana Mcquinn, “Broadway Behind the Iron Curtain: Tevye the Freedom Fighter on the Czechoslovak Stage”
POSTPONED: April 2nd: Olga Panteleeva, “The Politics of Cultural Superiority in Putin’s Russia”
Protected: Mar 12th: Sarah McDaniel, “This is(n’t) it: Living Lateness and the Encounter of Loss “
Protected: Mar 8th: Meghanne Barker, “Stepping out of the Frame”
Protected: Feb 25th: Tina Post, “I Will Will Against Your Way: The Poetic Discomposure of Ligia Lewis”
Protected: Feb 12th: Arianna Gass, “Sex with Computers: Virtual Sex, the Virtuality of Bodies, and Nonhuman Consent”
Protected: Feb 5th: Eleanor Russell, “The Body Artist Speaks: The Avant-Garde Postmodernism of Belle Barth and Laurie Anderson”
Protected: Jan 15th: Miguel Caballero Vazquez, “Theater and/as Preservation: Rafael Alberti’s Noche de guerra en el Museo del Prado (1956)”
November 27th: Danielle Roper, “Hemispheric Blackface: An Introduction”
