May 1, Joshua Chambers-Letson, “How it Would Feel to be Free: Towards a Theory of Minoritarian Performance”
Apr 17, 4:30 pm: Michael Allemana, “Ethnomusicology of Jazz: the Tensions and Connections Between Performance and Scholarship”
Protected: April 3, 4:30 pm: Alex Murphy, “Becoming Un-Japanese: Racialization and Nisei Performance in Interwar Japan and the United States”
Friday, Mar 3: 4:30-6:30pm: Panpan Yang, “The Romance of Lychee and Mirror: Teochew Opera Film and the Question of Remediation”
Protected: Feb 20, 4:30: Yiren Zheng: Sounding the Ineffable: On Third-century Chinese Whistling as an Alternative Voice
Protected: Feb 6, 4:30pm: Danielle Roper, “Hemispheric Blackface: Theorizing Blackface Performance at the Andean Fiesta”
Protected: Jan 23, 4:30pm: Sharvari Sastry, “Between Ephemerality and Endurance: Performing Indian Theatre History”
Protected: Jan 9, 4:30pm: Amy Stebbins, “Historical Actors: Recursive Acting as Historical Critique in Pension Schöller/Die Schlacht (Castorf, 1994)”
Protected: Nov 28, 4:30pm: Marissa Fenley, “Silk, Cypress Wood and the Secret of Trout Line: Ellen Van Volkenburg’s Assembled Puppets”
Nov 14, 4:30pm: Axel Englund, Theatres of Transgression: Bondage, Fetishism and S&M in Contemporary Opera Staging
