Protected: April 2, Matthias Dreyer: “Dada Masks: Sophie Taeuber’s Dance and the Test of Emergence”
Protected: Mar 5, Kevin Kay, “The Embodiment of Musical Personae in Performers: An Affordance of the Visual”
Protected: Feb 19: Aleksi Barrière, “Form Ecology: A Tool for Interdisciplinary Research and Creation”
Protected: Feb 5: Ellen Mackay, “The Tempest’s Preenactments: Artificial Training for Brave New Worlds”
Jan 22: Marissa Fenley and Sharvari Sastry, “Byron: A Play”
Protected: Nov 27: Tracy C. Davis, “Lives Spent in Advocacy and Judgement: Forms of Performance”
Protected: Nov 13: Amy Stebbins: Actor/Akteur: Autonomy and Authorship in Castorf’s Theater
Protected: Oct 30, Marissa Fenley: Be A Puppet: Tales of Hoffmann as a Model for Comedic Resistance Under the Trump Regime
Protected: Oct 16, Danielle Roper: Blackface at the Andean Fiesta: Performing blackness in the ‘Danza de Caporales’
Protected: May 15, John Muse: Virtual Theater as Critical Theory: Jonathan Ball’s ‘Clockfire’
