November 13th: Issues of Translation and Adaptation in conversation with the Ilkhom Theatre of Tashkent, Uzbekistan and the Bata Theatre of Almaty, Kazakhstan
Protected: October 30th: Sharvari Sastry, “Redirected Desires: The Quest for Respectability in Vasant Sabnis’ Viccha Mazi Puri Kara”
Protected: October 16th: Evan Pensis, “Running Up That Hill: Love and Realness in the soundtrack to Pose”
Protected: May 14, 2018: Christopher Grobe: The Artist Is President: “Performance Art” and Other Keywords in the Age of Donald Trump
Protected: April 30, Arianna Gass: “Proverbs and Misogynistic Jokes in the Early Modern Period”
Protected: April 16: Freddie Rokem, “Suddenly a Stranger Appears”
Protected: April 2, Matthias Dreyer: “Dada Masks: Sophie Taeuber’s Dance and the Test of Emergence”
Protected: Mar 5, Kevin Kay, “The Embodiment of Musical Personae in Performers: An Affordance of the Visual”
Protected: Feb 19: Aleksi Barrière, “Form Ecology: A Tool for Interdisciplinary Research and Creation”
Protected: Feb 5: Ellen Mackay, “The Tempest’s Preenactments: Artificial Training for Brave New Worlds”
