Protected: Monday, June 1 (4:30-6PM) Professor Liu Siyuan (Theatre Studies, University of British Columbia) “The Cross Currents of Modern Theatre and China’s National Theatre Movement of 1925-1926”
Thurs. May 28 (4:30-6pm) Anne Rebull (PhD Candidate, EALC). “A Korean Classic on the Chinese Stage: Theatrical Diplomacy and Artistic Innovation in Tale of Chunxiang (春香传)”
Mon., May 18 (4:30-6pm) Malcolm Purkey (Dean, South African School of Motion Picture Medium and Live Performance). “Market Theater, Johannesburg-Apartheid, Post Apartheid – Six Lessons for an Artistic Director”
Protected: Wed., May 13 (4:30-6:00pm) Professor Ellen MacKay (Indiana University-Bloomington). “Absorption, Uncontainment, and Cleopatra’s Barge”
Mon. March 30 (4:30-6PM) Brian Berry (Comparative Literature) “Beginning to Mean Something: Stanley Cavell’s Reading of Beckett’s Endgame.”
Protected: Mon. March 9 (4:30-6PM) Tadashi Uchino (University of Tokyo) “‘Database Animals’ and the Avant-garde: Materializing Transnational, Transient Subjectivities in Posthumanity”
Protected: Feb. 23rd 4:30-6PM, Reginald Jackson “Slavery and the Gestural Economies of Medieval Noh Performance”
Protected: SPECIAL EVENT: Tues. Feb. 9th 12-1:30PM, Rebecca Schneider “Gesture to Opera”
SPECIAL EVENT: Mon. Feb. 9th 4:30-6PM, Rebecca Schneider “Extending a Hand: Lithic Liveness, Neoanimisms, and Agential Theatricality
Protected: Mon. Jan. 26th 4:30-6PM, Ted Gordon (Dept. of Music) and Jess Peritz (Dept. of Music), Dissertation Proposal Workshop
