May 11, 2017May 12, 2017ss Protected: May 15, John Muse: Virtual Theater as Critical Theory: Jonathan Ball’s ‘Clockfire’
April 22, 2017April 24, 2017ss May 1, Joshua Chambers-Letson, “How it Would Feel to be Free: Towards a Theory of Minoritarian Performance”
April 12, 2017April 12, 2017ss Apr 17, 4:30 pm: Michael Allemana, “Ethnomusicology of Jazz: the Tensions and Connections Between Performance and Scholarship”
March 27, 2017March 27, 2017ss Protected: April 3, 4:30 pm: Alex Murphy, “Becoming Un-Japanese: Racialization and Nisei Performance in Interwar Japan and the United States”