YOU BE MY ALLY

Tools for K-12 Instructors

Here you will find adaptable materials for teaching with Jenny Holzer’s YOU BE MY ALLY in K-12 virtual classrooms. In addition to ready-to-use slideshows that introduce the artist and her previous works, mini-lessons provide grade level-appropriate guiding questions, suggested student prompts, excerpts from UChicago College Core texts, and related artworks and images, all organized around a set of five themes:

  1. Allyship and Collaboration
  2. Context, Place, and Meaning
  3. Authorship, Anonymity, and Identity
  4. Power, Authority, and the Canon
  5. Audience and Public Art

See below for more details on each theme and grade-differentiated topics that these lessons explore. Follow the Box link to access student-facing materials with downloadable images.

In addition to the themed lesson materials, the Box folder also contains the following:

  • An instructional How-To video demonstrating how to use the augmented reality app for YOU BE MY ALLY
  • Notes to accompany or expand upon the introductory slideshow presentations
  • A repository for educators to submit their own materials as they’ve adapted and implemented the K-12 Curriculum in their virtual classrooms, including examples of student work

Please note you must log in either with your UChicago credentials or designated password to access the Box folder. If you are a K-12 instructor without access through your institution and would like to use these materials in your teaching, please email Bridgette (bdavis14@uchicago.edu) and Heather (hglenny@uchicago.edu).

Introduction to Holzer and YOU BE MY ALLY

Portrait of Jenny Holzer
Photo: Nanda Lanfranco
These slideshows introduce Jenny Holzer through the shared themes and concerns of her previous work. They provide foundational context for beginning a unit on Holzer or the YOU BE MY ALLY project and include a timeline of major works, brief personal biography, and highlighted keywords.
Grades K-5: Early learners engage with key terms of art practice (medium, conceptual art, message), as they learn about Jenny Holzer and the major themes of Holzer’s work that remain relevant to their lives today. Students learn how they themselves can use the YOU BE MY ALLY app.
Grades 6-8: Middle school students consider the recurring themes in Holzer’s artwork as a precursor to her latest project. Slides promote critical thinking about art and technology in modern life, and builds anticipation for using Holzer’s AR app.
Grades 9-12: Students will critically engage with questions that Holzer poses in each of her major artworks throughout her career. The slides model the high level of analysis expected of students as they experience YOU BE MY ALLY.

Allyship and Collaboration

from Truisms (1977–79); from Inflammatory Essays (1979–82), 1984
Offset posters, 34.75 x 23.9 in. / 88.2 x 60.6 cm, each
Installation: Poster Project, Seattle, Washington, USA, 1984
© 1984 Jenny Holzer, member Artists Rights Society (ARS), NY
Photo: Deborah Oglesby
This theme approaches the titular quote as a compelling–and complex–call to action. Students will consider allyship in their own communities, as well as collaboration and activism in the intertwined worlds of art and politics.
Grades K-5: Students define allyship and consider what it means to be an ally and how this differs from being a collaborator or a friend. Holzer’s artwork jumpstarts conversations on learning from others, amplifying voices, and speaking up when you see injustice in the world.
Grades 6-8: Middle school students will think more deeply about their role as allies in their respective communities. College Core texts and artwork by other conceptual artists like Judy Chicago usher in thinking on the role of art within movements for social justice.
Grades 9-12: Core texts and related artworks challenge students to analyze Holzer’s work in the context of our current moment. Students engage skills that approach complex issues like political allyship and representation during the Movement for Black Lives, #MeToo,and other social justice movements with both online and in-person forms of activism.

Context, Place, and Meaning

VOTE YOUR FUTURE, 2018
© 2018 Jenny Holzer, member Artists Rights Society (ARS), NY.
With March For Our Lives
Photo: Ed Mumford
From the traveling routes of the LED trucks to the limitless iterations of the artwork possible through the app, Holzer’s work provides ample entry points into considering how context changes the meaning of text.
Grades K-5: Students will define and name dimensions of context (time, place, culture, author’s identity, and audience) and how removing a quote from its original place in a text can change its meaning. Students will think about the significance of place and site-specific artworks, and Holzer’s work will come alive through activities honoring important places in their communities.
Grades 6-8: Students will think critically about Core text quotes in their original context and as resituated in Holzer’s work. They will identify some relevant echos from the original context that resonate now, and also describe differences and conflicts between the author’s use and the current time, place, audience, and Holzer’s identity.
Grades 9-12: Lessons engage Holzer’s site-specific works and the significance of the locations she has chosen in the South Side for YOU BE MY ALLY. Students will analyze the relationship between the original context of the authors and texts and their ‘projection’ into the current context.

Authorship, Anonymity, and Identity

OF WAR, 2017
Virtual reality app
Installation: SOFTER: Jenny Holzer at Blenheim Palace,
Blenheim Palace, Woodstock, England, 2017
© 2017 Jenny Holzer, member Artists Rights Society (ARS), NY
Photo: Tom Lindboe
Mini-lessons in this cluster ask students to think critically about Holzer’s decision to occlude her own name from much of her artwork, and to leave the Core quotations uncited in YOU BE MY ALLY. Lessons branch into considerations of identity and the many perspectives students can explore on these issues.
Grades K-5: What does it mean to cite a work of art or writing, and what might prompt someone to leave something anonymous? Students consider what it means to share your identity, and why some authors and artists might leave their work anonymous.
Grades 6-8: Students investigate their own assumptions about identity and authorship. Prompted by excerpts from Core texts, students will describe how one can both relate to and diverge from their past, their place, and their identity.
Grades 9-12: Using related contemporary examples, students will debate the politics of authorship and citation as it relates to Holzer’s own artistic decision-making. Lessons prompt higher-level analysis of identity and representation.

Power, Authority, and the Canon

Projection for Chicago, 2008
Light projection, 2 N. Riverside Plaza, Chicago
Text: “The Joy of Writing” from View with a Grain of Sand by
Wisława Szymborska, © 1993 by the author. English translation by Stanisław Barańczak and Clare Cavanagh, © 1995 by Houghton Mifflin Harcourt Publishing Company. Used with permission of the publisher and the author.
© 2008 Jenny Holzer, member Artists Rights Society (ARS), NY. Photo: John Faier
Prompted by Holzer’s career-long interest in the visual rhetoric of power and authority, students will consider how these modes of control manifest in the texts, images, and institutions around them. Using the College Core as an example of a literary canon, students will think deeply about the social construction of “masterworks,” canons, and core curricula.
Grades K-5: Students consider what it means to have power and authority in society. Holzer’s artwork introduces the concept of a literary canon or collection of “masterworks,” and prompts students to think of an inclusive canon for their own class or community. Students will create and suggest their own canon–the texts and other media they would suggest to friends or classmates as necessary to learn and enjoy.
Grades 6-8: Students are invited to turn an analytical eye to institutions of power. Through Holzer’s past and current artwork, students understand how power is expressed through language, style, art, and curricula.
Grades 9-12: Holzer’s project encourages students to consider the establishment of literary canons as social constructions that often sustain modes of discriminaton and systemic racism. They will identify problems of canons, or set curricula, and will evaluate solutions used to address these problems with a critical eye. They will ask what is gained and lost via a shared canon? Who should share it? Why or why not?

Audience and Public Art

VOTE YOUR FUTURE, 2018
© 2018 Jenny Holzer, member Artists Rights Society (ARS), NY.
With March For Our Lives
Photo: Ed Mumford
This cluster is designed to help students question and understand the function, opportunities, and limitations of public art. Informed by ThinkCERCA curriculum and The Common Core Standards, students will be prompted to consider Audience as a key component in works of art and writing.
K-5: Students consider Holzer’s use of public messages and learn about the differences between public and private art. Students will practice identifying who the audience of a text, artwork, or public message is, and will consider the audience(s) for their own writing.
6-8: Students examine Core text excerpts to identify audience and public engagement. Holzer’s trucks and app serve as the springboard for deeper questions on the relationship between public art and political action.
9-12: Using Holzer’s current and previous work, students explore the efficacy of art as a vehicle for promoting social change. Related topics include the flexibility of language, code-switching, and public messaging.