February 23, 2017February 23, 2017anner Friday, Mar 3: 4:30-6:30pm: Panpan Yang, “The Romance of Lychee and Mirror: Teochew Opera Film and the Question of Remediation”
February 13, 2017February 13, 2017anner Protected: Feb 20, 4:30: Yiren Zheng: Sounding the Ineffable: On Third-century Chinese Whistling as an Alternative Voice
January 29, 2017January 29, 2017anner Protected: Feb 6, 4:30pm: Danielle Roper, “Hemispheric Blackface: Theorizing Blackface Performance at the Andean Fiesta”
January 14, 2017January 14, 2017anner Protected: Jan 23, 4:30pm: Sharvari Sastry, “Between Ephemerality and Endurance: Performing Indian Theatre History”
January 3, 2017January 5, 2017anner Protected: Jan 9, 4:30pm: Amy Stebbins, “Historical Actors: Recursive Acting as Historical Critique in Pension Schöller/Die Schlacht (Castorf, 1994)”
November 20, 2016November 20, 2016anner Protected: Nov 28, 4:30pm: Marissa Fenley, “Silk, Cypress Wood and the Secret of Trout Line: Ellen Van Volkenburg’s Assembled Puppets”
November 7, 2016November 10, 2016anner Nov 14, 4:30pm: Axel Englund, Theatres of Transgression: Bondage, Fetishism and S&M in Contemporary Opera Staging
October 10, 2016October 10, 2016anner Oct 17, 4:30pm: Leslie Buxbaum Danzig, Quest: a circus-theater adaptation (in process) of Tolstoy’s The Three Questions
September 15, 2016September 15, 2016anner Protected: Oct 3, 4:30-6:00pm: Ameera Nimjee, “Playing Dance and Dancing Music: The Work of Intimacy in Kathak”