March 21, 2022March 22, 2022catrindowd 3/29/22: Fiona Maxwell, “From Chicago Settlement Houses to the Zoom Room: Process-Oriented Youth Drama, Social Democracy, and Building Ensemble in Times of Crisis”
January 26, 2022March 2, 2022catrindowd 2/1/22- Neil Verma – “American Bottom: An Experimental Audiobook”
November 1, 2021March 2, 2022catrindowd 11/09/21- Anne Monique Pace- “Pagliacci and the Performance of Life”
October 18, 2021March 2, 2022catrindowd 10/26/21- Asteria Liu- ” “Love, Betrayal, and Death:Reading East-West Crossings in Men’s Cross-dressing Performances of Tragic Heroines”
May 17, 2021May 17, 2021catrindowd 5/20/21-Beth Hartman, “Sex Work, Trafficking, and Ethics: Exploitation Creep(s) in Music Studies”
April 29, 2021April 29, 2021catrindowd 5/5/21 12:00-1:30 pm – Asya Sagnak- “Mortal Bodies, Immortal Song: Performing Hunger and Revelation in the Turkish Death Fast”
April 21, 2021April 21, 2021catrindowd 4/28/21 4:00-5:30 pm- Jiayi Chen- “Reading as Watching: The Theatricalization of Riddles in 16th and 17th-Century China”
March 4, 2021March 4, 2021catrindowd 3/10/21: Christopher Corbo, “Play it Cool: Masculine Reimaginings of American Melodrama, 1895-1915”
January 5, 2021January 5, 2021catrindowd January 13: İlyas Deniz Çınar and Şeyda Nur Yıldırım, “Dialectics of Revision in Performance Historiography and Dramatic Adaptation”