November 21, 2018November 21, 2018marissa November 27th: Danielle Roper, “Hemispheric Blackface: An Introduction”
October 23, 2018October 23, 2018marissa Protected: October 30th: Sharvari Sastry, “Redirected Desires: The Quest for Respectability in Vasant Sabnis’ Viccha Mazi Puri Kara”
April 27, 2018April 27, 2018ss Protected: April 30, Arianna Gass: “Proverbs and Misogynistic Jokes in the Early Modern Period”
March 30, 2018April 2, 2018ss Protected: April 2, Matthias Dreyer: “Dada Masks: Sophie Taeuber’s Dance and the Test of Emergence”
November 24, 2017November 25, 2017ss Protected: Nov 27: Tracy C. Davis, “Lives Spent in Advocacy and Judgement: Forms of Performance”
November 8, 2017November 9, 2017ss Protected: Nov 13: Amy Stebbins: Actor/Akteur: Autonomy and Authorship in Castorf’s Theater
October 13, 2017October 13, 2017ss Protected: Oct 16, Danielle Roper: Blackface at the Andean Fiesta: Performing blackness in the ‘Danza de Caporales’
May 11, 2017May 12, 2017ss Protected: May 15, John Muse: Virtual Theater as Critical Theory: Jonathan Ball’s ‘Clockfire’
March 27, 2017March 27, 2017ss Protected: April 3, 4:30 pm: Alex Murphy, “Becoming Un-Japanese: Racialization and Nisei Performance in Interwar Japan and the United States”
February 23, 2017February 23, 2017anner Friday, Mar 3: 4:30-6:30pm: Panpan Yang, “The Romance of Lychee and Mirror: Teochew Opera Film and the Question of Remediation”