Jan 22: Marissa Fenley and Sharvari Sastry, “Byron: A Play”
Protected: Nov 27: Tracy C. Davis, “Lives Spent in Advocacy and Judgement: Forms of Performance”
Protected: Nov 13: Amy Stebbins: Actor/Akteur: Autonomy and Authorship in Castorf’s Theater
Protected: Oct 30, Marissa Fenley: Be A Puppet: Tales of Hoffmann as a Model for Comedic Resistance Under the Trump Regime
Protected: Oct 16, Danielle Roper: Blackface at the Andean Fiesta: Performing blackness in the ‘Danza de Caporales’
Protected: May 15, John Muse: Virtual Theater as Critical Theory: Jonathan Ball’s ‘Clockfire’
May 1, Joshua Chambers-Letson, “How it Would Feel to be Free: Towards a Theory of Minoritarian Performance”
Apr 17, 4:30 pm: Michael Allemana, “Ethnomusicology of Jazz: the Tensions and Connections Between Performance and Scholarship”
Protected: April 3, 4:30 pm: Alex Murphy, “Becoming Un-Japanese: Racialization and Nisei Performance in Interwar Japan and the United States”
Friday, Mar 3: 4:30-6:30pm: Panpan Yang, “The Romance of Lychee and Mirror: Teochew Opera Film and the Question of Remediation”
