It’s Cold As Hell

The conception of hell as a frozen wasteland may seem surprising to people, as the general assumed temperature of hell is to be extremely hot. This basis is in fact proven in the Bible in several sections. In Revelations, hell is described as a “lake of fire.” There is also the geographical reasoning that states since Christianity originated from the Middle East and Africa, which are considered arid tropical climates,…

The Obscenity of Seeing Pain: From Susan Sontag to Christ Crowned with Thorns

The modern era has forgotten the genealogy of the view on suffering. It defines suffering as pejorative, something mistaken and ought to be avoided and condemned. The negativity of suffering is falsely taken to be universal. Rather, the negativity of suffering is a social narrative specific to our age. In Regarding the Pain of Others, in Susan Sontag’s discussion of Bataillie’s obsession with contemplating the photograph capturing a prisoner undergoing…

The Beauty in Horror

“On his way up from the Piraeus outside the north wall, he noticed the bodies of some criminals lying on the ground, with the executioner standing by them. He wanted to go and look at them, but at the same time he was disgusted and tried to turn away. He struggled for some time and covered his eyes, but at last the desire was too much for him. Opening his…

The main entrance to "The Holy Land Experience" theme park. Photograph: Kevin Wisniewski/Rex Features

The Holy Lando: Unpacking the Modern and Medieval Passion Play

In Chapter IV of The Confessions, Augustine introduces a story concerning his former student Alypius. After being dragged to the gladiator games, Alypius protests by covering his eyes, as to not bear witness to the violent event. Eventually, Alypius — “yielding to curiosity” — opens his eyes at the cheering noises of the crowd (Augustine, 121). In this passage, Augustine depicts curiosity as a precursor to sin. The condemnation of…

To Look or Not to Look?

       The pieces shown in the smart museum prompted us to think about the role of art in making us simultaneously want to turn away in disgust but also captures our attention as discussed with our readings of Sontag and Augustine. Specifically, the piece by Jacque Callot, The Hangman’s Tree, both captivated our attention while also making our stomachs churn. The stark physical separation between the suspended bodies…

Part I. Reinterpretation and Identification with the Cross

Note: Before reading, I just wanted to write that some of the images seen here in this two-part post are quite graphic and may cause emotional distress. I know the topic is already quite brutal and distressing, but I do not want to cause undue harm because my work is work for class. So I urge you to use your judgment and do not read this post if extreme violence,…

Agency in Genesis B: Analyzing Eve’s Role in Humanity’s Fall

One of the most fascinating aspects of Genesis B is its numerous departures from the Vulgate Bible, most notably in the depiction of Eve. The poem’s recounting of the first Biblical story, the fall of humanity from Eden, calls into question notions of culpability and agency in the Bible. Did Adam and Eve have agency, and by extension, do their descendants, humans, have agency in the Judeo-Christian universe?   When…

Recognizing the Masks of Testimony

Derrida may be understood to use the image of a mask to think about the relation between testimony and reality. A testimony is like a mask that “covers” an objective reality in that a witness’s testimony is an affirmation of their claiming to have been present in some space at some time (76). Consequently, a testimony cannot be guaranteed because once it is, its sense of reflecting a witness’s presence…