MONDAY November 29th, Samuel P. Catlin, “Samson in Gaza: Re-reading Milton After 9/11”


Please join the Renaissance Workshop
Monday, November 29th, when

Samuel P. Catlin
PhD Candidate, Comparative Literature and Divinity School
University of Chicago
presents the paper:

Samson in Gaza: Re-Reading Milton After 9/11
MONDAY, November 29th

5:00-6:30pm
Rosenwald 405The paper, to be read in advance, will be distributed to the Renaissance Workshop mailing list and is available on our website here under the password “terror.” Light refreshments will be served.If you would like to join our mailing list, please click here.  We are committed to making our workshop accessible to all persons. Questions, requests, and/or concerns should be directed to Ryan Campagna (rcampagna@uchicago.edu) or Sarah-Gray Lesley (sglesley@uchicago.edu).

Image: An etching of Samson from a German Bible, Julius Schnorr von Carolsfeld (1882).

MONDAY, November 8th, Katherine Schaap Williams, “As Able Actors”: Disability and Early Modern Performance

Please join the Renaissance Workshop
Monday, November 8th, when

Katherine Schaap Williams

Assistant Professor, English
University of Toronto
presents the paper:
“As Able Actors”: Disability and Early Modern Performance
MONDAY, November 8th

5:00-6:30pm
Rosenwald 405*co-sponsored by and with thanks due to the Nicholson Center for British Studies and the TAPS CommitteeThe paper, to be read in advance, will be distributed to the Renaissance Workshop mailing list and is available on our website here under the password “able”. Light refreshments will be served.

If you would like to join our mailing list, please click here.  We are committed to making our workshop accessible to all persons. Questions, requests, and/or concerns should be directed to Ryan Campagna (rcampagna@uchicago.edu) or Sarah-Gray Lesley (sglesley@uchicago.edu).

Image: Frontispiece for The Wits, (probably) Francis Kirkman (London, 1662).