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November 22, 2021 by rcampagna

Protected: Materials for Catlin Workshop

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← MONDAY November 29th, Samuel P. Catlin, “Samson in Gaza: Re-reading Milton After 9/11”
MONDAY: January 10th, Andres Irigoyen, “Idle Hands, Idle Hue: Manual Semiotics and Black Agency in Early Modern Drama” →
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