ss – THEATER & PERFORMANCE STUDIES

May 2, 2018May 2, 2018ss

Protected: May 14, 2018: Christopher Grobe: The Artist Is President: “Performance Art” and Other Keywords in the Age of Donald Trump

April 27, 2018April 27, 2018ss

Protected: April 30, Arianna Gass: “Proverbs and Misogynistic Jokes in the Early Modern Period”

April 10, 2018April 10, 2018ss

Protected: April 16: Freddie Rokem, “Suddenly a Stranger Appears”

March 30, 2018April 2, 2018ss

Protected: April 2, Matthias Dreyer: “Dada Masks: Sophie Taeuber’s Dance and the Test of Emergence”

March 1, 2018March 1, 2018ss

Protected: Mar 5, Kevin Kay, “The Embodiment of Musical Personae in Performers: An Affordance of the Visual”

February 13, 2018February 16, 2018ss

Protected: Feb 19: Aleksi Barrière, “Form Ecology: A Tool for Interdisciplinary Research and Creation”

January 31, 2018February 2, 2018ss

Protected: Feb 5: Ellen Mackay, “The Tempest’s Preenactments: Artificial Training for Brave New Worlds”

January 17, 2018January 17, 2018ss

Jan 22: Marissa Fenley and Sharvari Sastry, “Byron: A Play”

November 24, 2017November 25, 2017ss

Protected: Nov 27: Tracy C. Davis, “Lives Spent in Advocacy and Judgement: Forms of Performance”

November 8, 2017November 9, 2017ss

Protected: Nov 13: Amy Stebbins: Actor/Akteur: Autonomy and Authorship in Castorf’s Theater

October 23, 2017October 27, 2017ss

Protected: Oct 30, Marissa Fenley: Be A Puppet: Tales of Hoffmann as a Model for Comedic Resistance Under the Trump Regime

October 13, 2017October 13, 2017ss

Protected: Oct 16, Danielle Roper: Blackface at the Andean Fiesta: Performing blackness in the ‘Danza de Caporales’