IFA CHINA PROJECT WORKSHOP

Dear all,

Starting from this year, we are glad to share information with the Institute of Fine Arts’ China Project Workshop. For further inquiry, please contact chinaprojectworkshop@gmail.com.

IFA CHINA PROJECT WORKSHOP SCHEDULE FOR 2013-2014 

October 18, 2013
Michael Hatch, PhD candidate, Department of Art and Archaeology, Princeton University 

November 15, 2013
Zheng Yan, Professor of Chinese Art, Central Academy of Fine Art, Beijing

December 13, 2013
Lothar von Falkenhausen, Professor of Art History, UCLA

February 21, 2014
Qianshen Bai, Associate Professor, Department of History of Art and Architecture, Boston University

March 7, 2014
Hiromi Konishita, Associate Curator of Chinese Art, Philadelphia Museum of Art

April 4, 2014
Roderick Campbell, Assistant Professor of East Asian Archaeology and History, Institute for the Study of the Ancient World, NYU

May 9, 2014
Eileen Hsiang-ling Hsü, Independent Scholar.

Please note that in addition to the seven announced presentations, the China Project Workshop expects to sponsor one or two other events in the Spring.

 

Youn-mi Kim, Oct 25

Friday, October 25, 4-6 pm, CWAC 156
This workshop will pre-circulate papers. Please download here.

 

Miniaturizing Rituals and Creating Sacred Cosmos:
Power of Miniatures in the Liao Pagoda

Youn-mi Kim
Assistant Professor, Department of Art History
Yale University

Exquisite miniatures, whether in two-dimensional or three-dimensional media, fascinate the viewer. As for miniatures of a cosmic world, such as the one that serves as a model of the empire inside the First Emperor’s mausoleum recorded in the Shiji, part of the fascination may come from the human desire to create a virtual world that is more manipulable, and thereby more possessable, than the real one. At the same time, other miniatures, for example the many mingqi (spirit articles) from Chinese tombs, distort familiar scales to elicit surrealistic and alien feelings that everyday objects do not share. Focusing on Chaoyang North Pagoda (1043-1044) of the Liao dynasty, this talk explores how the nomadic Kitan patrons of Buddhist architecture utilized miniatures—from miniature pagoda reliefs attached to the pagoda’s exterior wall to a miniature ritual altar hidden in the inner space of the pagoda—to reconstruct Indian pilgrimage sites in Kitan land in northeast China, transforming a finite architectural space to an infinite Buddhist cosmos, and perpetuating an esoteric Buddhist ritual for all eternity. Lastly, by offering an opportunity to illuminate the notion of religious ritual from an emic perspective of medieval Buddhists, the existence of a miniature ritual altar sealed inside the pagoda calls into question the ways in which current predominantly-anthropocentric scholarly understandings of ritual may distort or limit our views on medieval religious rituals.

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Friday, October 25, 4-6 p.m.  CWAC 156
Persons with disability who may need assistance, please contact anf@uchicago.edu

 

VMPEA FALL SCHEDULE 2013

 

Visual and Material Perspectives on East Asia is proud present our schedule for Autumn 2013:
All sessions run from 4 to 6pm, on Fridays, in the Room 156, Cochrane-Woods Art Center (CWAC), unless otherwise stated.

October 25: Youn-mi Kim, Assistant Professor (Yale University, History of Art)
“Miniaturizing Rituals and Creating Sacred Cosmos: Power of Miniatures in the Liao Pagoda”

November 8: Lu Ling-en, Associate Curator of Early Chinese Art, (Nelson-Atkins Museum of Art, Kansas)
“Female Deities in Later Imperial and Modern China: with Marici as an Example”

November 22: Shao Yunfei, PhD Student
TBA

December 6: Akiko Walley, Assistant Professor (University of Oregon, History of Art and Architecture)
“Everyday Magic: Objects of Daily Use in East Asian Buddhist Reliquaries”

December 13: Micah Auerback, Asst. Professor (UMich Ann Arbor, Asian Languages and Cultures),
TBA Venue: CWAC 153. (Joint-session with Trans-regional Histories Workshop)