Death, Where Is Your Victory? A Medieval Christian Perspective on Glory and Suffering in the Life of St. Margaret

The Old English Life of Saint Margaret ends, as the title might suggest, with the protagonist St. Margaret’s death. After Margaret is killed, angels “come over the body of the holy Margaret and bless it,” singing, “‘Holy, holy, holy, Lord God, glorious King of hosts, heaven and earth are full of your glory.’” At first glance, this concluding moment may seem strange or confusing. Margaret, who has just slain a…

Soul and Body in St. Margaret

The story of St. Margaret highlights many features of the Christian worldview, perhaps most notably the nature of ideal behavior. Saints are canonized in the Christian religion as role models- they are inherently aspirational figures. St. Margaret is portrayed as an ideal Christian figure in two ways: firstly, through her purity, translated as “virginity” or “chastity” in the text, and secondly, through her endurance in the face of extreme violence.…

Is (St.) Margaret a Virgin?

Reading The Life of St Margaret is a trip. Throughout the story Margaret is tortured, kills a dragon, bludgeons a devil, causes an earthquake, and converses with holy doves before she is executed, and her severed head is carried to heaven as a reward for maintaining her virginity in the face of a prefect’s aggressive efforts to take it.  However, the most implausible thing to me when reading this was…

Making Sense of Suffering: The Old English Life of St. Margaret

The Old English Life of St. Margaret is a martyr narrative—an echo of Christ’s passion, (resurrection), and ascension. The text (Cotton Tiberius version) begins with the narrator, Theotimus, establishing the setting as a time when many martyrs were suffering. Some prevailed and endured, achieving eternal rest, while others were led astray by the devil’s teachings. So we take suffering for granted and begin as participants—witnesses—to how Margaret herself came to…

Exploring the Precedent of the “draca” Episode in St. Margaret

Of all the fascinating passages in The Life of St. Margaret, the passage that most gave me pause was Margaret’s interaction with Rufus (the “brother of the devil”) in the form of a dragon. As a student who has had relatively little interaction with hagiography, I had rarely encountered dragons in Christian texts; as such, I decided to dig a little deeper into the tradition of battling dragons within Christian…

Saint Margret: Femininity, Masculinity, and Holiness

Examining the role of gender in The Old English Life of Saint Margaret sheds light on many expected notions of martyrdom, femininity, and masculinity. “True” femininity seems to take place in Margaret, a pure, virginal woman. When discussing her holiness, Margaret’s connection to God seems to be very contingent on two things. One, she is above overly-humanistic feelings such as desire and anger. As someone who seems to be free…

Witnessing Acts of God in Genesis, Daniel, and Margaret

  By Faryn Thomas, Jennifer Morse, Joseph Marques, and Robert Carhuayo How is witnessing acts of God treated across Genesis, Daniel, and Margaret? In Margaret, page 131,  a huge crowd of people witness Margaret pray to God for salvation at the end, before her feet and hands are to be burned. God hears her and there is an earthquake, after which God speaks directly to her from the heavens. As…

Painted and gilded oak triptych known as the St Margaret Altarpiece, North Germany, about 1520. Museum no. T.5894-1859

Saint Margaret: Reflections on Martyrdom

By Clare Kemmerer, Dannie Griggs, Maya Ordonez, and Kaedy Puckett Part I How did medieval viewers experience martyr stories? Were they fascinated by the lurid details of martyrdom–the grievous bodily harm, the horrifying demons, the beautiful virgins? Did they become afraid or inspired, measuring themselves up to an unmeetable example of Christian virtue? Were they spiritually transported, or were they something nearer to a modern superhero story, a fanciful legend…

Why are Idols Dumb?

A repetition in the Old English Life of St. Margaret that stands out to me is the use of “dumb and deaf” to describe idols. This is a rejection of Pagan gods’ ability to witness, but not their existence. Previous discussions have focused on God’s status as a universal, perfect witness in Medieval thought. Humans may be fallible, but God’s omniscience enables Him to witness. Prior texts, however, have not…