Thursday, May 31st: Elisabeth Köll “Building Railroads in early 20th-Century China: Land Acquisition, Constructions, and Management in the Context of Local Society”

Elisabeth Köll

William Payden Associate Professor of History, University of Notre Dame

“Building Railroads in early 20th-Century China: Land Acquisition, Constructions, and Management in the Context of Local Society”

Thursday, May 31st, 4:30PM-6:30PM

John Hope Franklin Room [SSR 224]

DIscussant: Matthew Lowenstein, PhD Student, Department of History, University of Chicago

Please join the East Asia: Transregional Histories Workshop in welcoming Professor Elisabeth Köll [University of Notre Dame] as she presents her paper titled “Building Railroads in early 20th-Century China: Land Acquisition, Constructions, and Management in the Context of Local Society.” Professor Köll has provided the following abstract:

China’s railroad development in the early 20th century was anchored in a semi-colonial context, framed by the political and economic motivations of foreign powers such as Great Britain, Germany, Belgium and the United States, presenting a complex political environment with challenges for the construction and management of a railroad system. As this paper will
show, the evolution of management structures, practices, and business strategies of Chinese railroad companies took shape within a business and political climate of semi-colonial intervention. One of the results was that Chinese railroads combined Western managerial styles with indigenous business practices in their institutional evolution. However, the Chinese were
hardly passive or reluctant recipients of the new technology. Based on select case studies, this paper demonstrates how the embrace of railroads by the local population was predominantly driven by a great deal of pragmatism, especially with regard to the issue of land sales.

Professor Köll’s Paper can be found in the post below.

As always, first-time attendees are welcome. Light refreshments and snacks will be served. If you have any questions or require assistance to attend, please contact Robert Burgos at rburgos@uchicago.edu or Spencer Stewart at sdstewart@uchicago.edu.

 

Thursday, May 19th: Jun Hee Lee “In Chorus with Cold War Allies: the Rise and Fall of the Utagoe Movement’s National Music Paradigm”

Jun Hee Lee

PhD Candidate, Department of History

“In Chorus with Cold War Allies: The Rise and Fall of the Utagoe Movement’s National Music Paradigm”

Thursday, May 17th, 4:00-6:00 PM

John Hope Franklin Room [SSR 224]

Discussant: Robert Burgos, PhD Student, Department of History

Please join the East Asia: Transregional Histories workshop in welcoming our own Jun Hee Lee as he presents a draft of his dissertation chapter, titled “In Chorus with Cold War Allies: The Rise and Fall of the Utagoe’s Movement’s National Music Paradigm.” He has provided the following abstract:

From its humble origins as a choral group within the Japan Communist Party’s youth association, Utagoe gained prominence and notoriety through the 1950s as a singing movement of national scale, giving birth to multitudes of choruses across workplaces and localities in Japan. Since the early 1950s, Utagoe began calling for the creation of “national music” (kokumin ongaku) – a body of music befitting a democratic Japan that was to stand in opposition to “decadent” culture instigated by the mass media and American imperialism. While the term had prewar and even wartime precedents, Utagoe’s national music had both “Japanese” and foreign reference points, including Soviet/Russian songs and later American folk music. In the 1950s and 1960s, Russian and Soviet music served as an example of national music which Utagoe’s leadership figures sought to emulate. American folk music, on the other hand, turned out to be a mixed blessing towards the end of the 1960s, as it caused a serious division within Utagoe over how to treat the “commercialized” versions of the genre coming from both the United States and Japan. By examining manners in which individuals and groups from Utagoe conceptualized music in terms of nations, this chapter illustrates how the “national music” paradigm informed Utagoe’s musical and political worldview in both domestic and international contexts for the first two decades of the movement (1953-1973), during which Utagoe cultivated its self-image as a part of (socialist) international solidarity against American imperialism.

 

Jun Hee’s Paper can be found in the post below.

As always, first-time attendees are welcome. Light refreshments and snacks will be served. If you have any questions or require assistance to attend, please contact Robert Burgos at rburgos@uchicago.edu or Spencer Stewart at sdstewart@uchicago.edu.