Please join the Renaissance Workshop

Monday, October 3rd, when

Joshua R. Held 

Chair and Associate Professor of English

Trinity International University

presents the

Introduction from Reading Difference in Shakespeare’s Folio: Race, Gender, and Tragic Sympathy 

Monday, October 3rd 

5:00-6:30pm 

Rosenwald 405

The paper, to be read in advance, has been distributed to the Renaissance Workshop mailing list and is available on this website under the password “folio.” Light refreshments will be served.

If you would like to join our mailing list, please click here. We are committed to making our workshop accessible to all persons. Questions, requests, and/or concerns should be directed to Andrés Irigoyen (airigoyen@uchicago.edu) and Sarah-Gray Lesley (sglesley@uchicago.edu).

Abstract from the author:

Some authors have recently attempted to defend Shakespeare from charges of racism, patriarchalism, and other cultural and ideological positions that were common in early modernity but that are particularly unsavory from the perspective of the twenty-first century. This kind of apologetic is especially critical in maintaining Shakespeare’s relevance amid widespread social movements such as #MeToo and Black Lives Matter, and scholarly movements such as Race B4 Race and Critical Race Theory. But however salutary such apologetical arguments may be, they might leave many wondering whether Shakespeare—perhaps the central canonical dead white male literary figure—can be so easily extricated from responsibility for problematic figurations of race, gender, and other human difference. I believe the impulse behind this Shakespearean apologetic needs to be further interrogated, and its logic grounded more firmly on the historical William Shakespeare, which I locate in the earliest printed texts of his plays.

The Introduction for my current book project, “Reading Difference in Shakespeare’s Folio,” initiates my thesis that the six Shakespearean plays printed first as quartos and then included among the tragedies of the 1623 First Folio—Titus Andronicus, Romeo and Juliet, Troilus and Cressida, Hamlet, King Lear, and Othello—are changed in ways that modify the major emotions of pity and sympathy, in correspondence with different depictions of gender and race. The book goes on to argue more specifically that the Folio presents texts that are more proto-feminist and progressive in a portrayal of race. The Introduction locates Shakespearean tragedy within the book’s main issues: textual criticism, critical race studies, gender studies, and sympathy studies.

Please join the Renaissance Workshop

Monday, February 28^th, when

Colby Gordon

Assistant Professor of Literatures in English

Bryn Mawr College

presents the paper:

Egg Theory’s Early Modern Style; Or, John Donne’s Resurgent Flesh

MONDAY, February 28^th

5:00-6:30pm

Rosenwald 405

*co-sponsored with and thanks to the generosity of the Center for the Study of Gender and Sexuality

The paper, to be read in advance, will be distributed to the Renaissance Workshop mailing list and is available on our website here under the password “style.” Light refreshments will be served.

If you would like to join our mailing list, please click here. We are committed to making our workshop accessible to all persons. Questions, requests, and/or concerns should be directed to Ryan Campagna (rcampagna@uchicago.edu) or Sarah-Gray Lesley (sglesley@uchicago.edu).

Image: Engraving from John Donne’s Devotions Upon Emergent Occasions.1634.

Please join the Renaissance Workshop
MONDAY, January 24th, when

Jeffrey Masten

Professor of English and Gender & Sexuality Studies

Northwestern University

presents the paper:

Marlowe’s Queer Futures: Edward and Richard, the Second

MONDAY, January 24th

5:00-6:30pm
Zoom Address: https://uchicago.zoom.us/j/95063160015?pwd=dzVQcDN4SjlINlBxZTNkSThKZklGZz09

The paper, to be read in advance, will be distributed to the Renaissance Workshop mailing list and is available on our website here under the password “marlowe.” Please note that this meeting will be held virtually.

If you would like to join our mailing list, please click here.  We are committed to making our workshop accessible to all persons. Questions, requests, and/or concerns should be directed to Ryan Campagna (rcampagna@uchicago.edu) or Sarah-Gray Lesley (sglesley@uchicago.edu).

Image: Tomb of Edward II, Gloucester Cathedral, ca. 1330s.

Please join the Renaissance Workshop
Monday, January 10th, when

Andres Irigoyen

PhD Student, English Literature
University of Chicago

presents the paper:

Idle Hands, Idle Hue: Manual Semiotics and Black Agency in Early Modern Drama
MONDAY, January 10th

5:00-6:30pm
Zoom Address: https://uchicago.zoom.us/j/99863232361?pwd=WG9aWUs4NFZPbWxnQ2hJUitTZTJPUT09

The paper, to be read in advance, will be distributed to the Renaissance Workshop mailing list and is available on our website here under the password “hands.” Please note that this meeting will be held virtually.

If you would like to join our mailing list, please click here.  We are committed to making our workshop accessible to all persons. Questions, requests, and/or concerns should be directed to Ryan Campagna (rcampagna@uchicago.edu) or Sarah-Gray Lesley (sglesley@uchicago.edu).

Image: John Bulwer. Chirologia, or The Natural Language of the Hand. (1644)

Please join the Renaissance Workshop

MONDAY, May 24^th, when

Kashaf Qureshi

PhD Student

University of Chicago

presents the paper:

“Praying in Curses: The Poetics of Imprecation in Mary Sidney’s Psalms”

and

Andres Irigoyen

PhD Student

University of Chicago

presents the paper:

“Messy Agencies: Productive Idleness and New Materialism in Early Modern Academic Drama”

MONDAY, May 24^th

5:00-6:30pm

*note the adjusted time for the spring quarter

Zoom:

https://uchicago.zoom.us/j/91586682285?pwd=RVQweTNKSm53bWh2c25LQ04vSTJBUT09

Password: 212965

The papers, to be read in advance, have been distributed to the Renaissance Workshop mailing list and are available on our website with the password “joint”.

If you would like to join our mailing list, please click here.  We are committed to making our workshop accessible to all persons. Questions, requests, and/or concerns should be directed to Ryan Campagna (rcampagna@uchicago.edu) or Sarah-Gray Lesley (sglesley@uchicago.edu).

Image: Anonymous. “Interior of a London Coffee-House,” c.1690