February 22, 2022March 2, 2022mstableinjr 3/1/2022 – Fabien Maltais-Bayda – “Reconsidering Recuperation in Choreography: Lara Kramer’s NGS (‘Native Girl Syndrome’)”
February 10, 2022March 2, 2022mstableinjr 2/15/22- David Delbar – “The Sacred Band: A Theban Play in Three Acts”
January 26, 2022March 2, 2022catrindowd 2/1/22- Neil Verma – “American Bottom: An Experimental Audiobook”
January 11, 2022March 22, 2022mstableinjr 1/11/22- Amy Skjerseth – “Believing in Life after Auto-Tune”
November 15, 2021March 2, 2022mstableinjr 11/30/21 – PERFORMANCE-IN-PROGRESS: A VIDEO SCREENING SERIES
November 15, 2021March 2, 2022mstableinjr 11/17/21 – Dahlia Nayar – “How to Viral: Sarah Cooper’s Quiet Humor in the Trump Era”
November 1, 2021March 2, 2022catrindowd 11/09/21- Anne Monique Pace- “Pagliacci and the Performance of Life”
October 18, 2021March 2, 2022catrindowd 10/26/21- Asteria Liu- ” “Love, Betrayal, and Death:Reading East-West Crossings in Men’s Cross-dressing Performances of Tragic Heroines”
June 3, 2021June 3, 2021ariannagass 6/7/21 – Trans Femme Noise: Roundtable Discussion with Cae Monae, Him Hun, and Zola Makeda
May 17, 2021May 17, 2021catrindowd 5/20/21-Beth Hartman, “Sex Work, Trafficking, and Ethics: Exploitation Creep(s) in Music Studies”