MONDAY, February 7th, Sarah-Gray Lesley, “‘The Mother’s Mouth’: White Women Consume in Thomas Middleton’s London, 1613”
PhD Candidate, English
Protected: Materials for Masten Workshop
MONDAY, January 24th, Jeffrey Masten, Marlowe’s Queer Futures: Edward and Richard, the Second
Please join the Renaissance Workshop
MONDAY, January 24th, when
Jeffrey Masten
Professor of English and Gender & Sexuality Studies
Northwestern University
presents the paper:
Marlowe’s Queer Futures: Edward and Richard, the Second
MONDAY, January 24th
5:00-6:30pm
Zoom Address: https://uchicago.zoom.us/j/95063160015?pwd=dzVQcDN4SjlINlBxZTNkSThKZklGZz09
The paper, to be read in advance, will be distributed to the Renaissance Workshop mailing list and is available on our website here under the password “marlowe.” Please note that this meeting will be held virtually.
If you would like to join our mailing list, please click here. We are committed to making our workshop accessible to all persons. Questions, requests, and/or concerns should be directed to Ryan Campagna (rcampagna@uchicago.edu) or Sarah-Gray Lesley (sglesley@uchicago.edu).
Image: Tomb of Edward II, Gloucester Cathedral, ca. 1330s.
Protected: Materials for Irigoyen Workshop
MONDAY: January 10th, Andres Irigoyen, “Idle Hands, Idle Hue: Manual Semiotics and Black Agency in Early Modern Drama”
Please join the Renaissance Workshop
Monday, January 10th, when
Andres Irigoyen
PhD Student, English Literature
University of Chicago
presents the paper:
Idle Hands, Idle Hue: Manual Semiotics and Black Agency in Early Modern Drama
MONDAY, January 10th
5:00-6:30pm
Zoom Address: https://uchicago.zoom.us/j/99863232361?pwd=WG9aWUs4NFZPbWxnQ2hJUitTZTJPUT09
The paper, to be read in advance, will be distributed to the Renaissance Workshop mailing list and is available on our website here under the password “hands.” Please note that this meeting will be held virtually.
If you would like to join our mailing list, please click here. We are committed to making our workshop accessible to all persons. Questions, requests, and/or concerns should be directed to Ryan Campagna (rcampagna@uchicago.edu) or Sarah-Gray Lesley (sglesley@uchicago.edu).
Image: John Bulwer. Chirologia, or The Natural Language of the Hand. (1644)
Protected: Materials for Catlin Workshop
MONDAY November 29th, Samuel P. Catlin, “Samson in Gaza: Re-reading Milton After 9/11”
![](https://voices.uchicago.edu/renaissance/files/2021/11/Samson-300x266.gif)
Please join the Renaissance Workshop
Monday, November 29th, when
University of Chicago
presents the paper:
Samson in Gaza: Re-Reading Milton After 9/11
MONDAY, November 29th
Rosenwald 405The paper, to be read in advance, will be distributed to the Renaissance Workshop mailing list and is available on our website here under the password “terror.” Light refreshments will be served.If you would like to join our mailing list, please click here. We are committed to making our workshop accessible to all persons. Questions, requests, and/or concerns should be directed to Ryan Campagna (rcampagna@uchicago.edu) or Sarah-Gray Lesley (sglesley@uchicago.edu).
Protected: Materials for Schaap Williams Workshop
MONDAY, November 8th, Katherine Schaap Williams, “As Able Actors”: Disability and Early Modern Performance
Please join the Renaissance Workshop
Monday, November 8th, when
Katherine Schaap Williams
University of Toronto
presents the paper:
MONDAY, November 8th
5:00-6:30pm
If you would like to join our mailing list, please click here. We are committed to making our workshop accessible to all persons. Questions, requests, and/or concerns should be directed to Ryan Campagna (rcampagna@uchicago.edu) or Sarah-Gray Lesley (sglesley@uchicago.edu).
Image: Frontispiece for The Wits, (probably) Francis Kirkman (London, 1662).