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Chair & Associate Professor of East Asian Studies, New York University

Landscapes After Modernity: The Place of the Universal Human in the (Digital) Art of Xu Bing & Japan

Time: 11am-12:30pm, October 20

Location: Cobb 310

Please note the unusual time and location!

There is no pre-circulated material for this workshop.

★Co-hosted by the Digital Media Workshop★

★This event is sponsored by the University of Chicago Center for East Asian Studies with support from a Title VI National Resource Center Grant from the United States Department of Education.★

Abstract: In contrast to the landscape of the modern individualized humanist subject, the material ecologies of posthumanism still tend to be framed in terms of a digital ubiquity; the first is finite and located, the second is dispersive and multi-sited (or everywhere). Taking this divide only as a starting point, this working paper takes up what might be thought of as the landscape, or architecture, of the contemporary posthumanist subject. Using especially recent artwork from the Chinese artist Xu Bing, as well as a genealogy of work from Japan, the aim is to outline the material contours of a contemporary posthumanist landscape. At stake are some of our most basic categories, including geopolitical geography (including area studies), global ecology, and the grounds of a universal language.

Presenter: Thomas Looser (PhD in Anthropology, the University of Chicago) is Chair and Associate Professor of East Asian Studies at New York University. His areas of research include cultural anthropology and Japanese studies; art, architecture and urban form; new media studies and animation; critical theory and globalities. Previously a senior editor for the journal Mechademia, and now an editor for Asiascape: Digital Asia, and editorial advisory board member of ADVA, he is the author of Visioning Eternity: Aesthetics, Politics, and History in the Early Modern Noh Theater, and has published articles in a variety of venues including Boundary 2, Japan Forum, Mechademia, Shingenjitsu, Journal of Pacific Asia, and Cultural Anthropology.

Discussant: Thomas Lamarre (PhD in East Asian Languages and Civilizations, the University of Chicago) is a scholar of media, cinema and animation, intellectual history and material culture, with projects ranging from the communication networks of 9th century Japan (Uncovering Heian Japan: An Archaeology of Sensation and Inscription, 2000), to silent cinema and the global imaginary (Shadows on the Screen: Tanizaki Jun’ichirō on Cinema and Oriental Aesthetics, 2005), animation technologies (The Anime Machine: A Media Theory of Animation, 2009) and on television infrastructures and media ecology (The Anime Ecology: A Genealogy of Television, Animation, and Game Media, 2018). Current projects include research on animation that addresses the use of animals in the formation of media networks associated with colonialism and extraterritorial empire, and the consequent politics of animism and speciesism.

PhD Student, EALC & Comparative Literature

“The Paleography of Babble”

Time: October 13th, 3-5pm

Location: Center for East Asian Studies 319 (1155 E. 60th St)

★Co-hosted by the East Asian Transregional History Workshop★

★This event is generously sponsored by the Council of Advanced Studies of the University of Chicago★

Abstract: This paper traces out divergent genealogies of discourse around the status of language in relation to nature and culture in second-millennium Chinese and Inner-Asian thought. Focusing on multiple interpretations of a single figure—the newborn child learning to speak—in the intertwined lineages Chinese, Mongolian, and Manchu thought, this paper suggests that divergent conceptions of babbling as an activity that straddles any tentative nature-culture divide tend to reflect divergent conceptions of “culture” in a multilingual world. Dissenting from Sinocentric conceptions of language that have relegated non-(Chinese)-speech to the realm of non-culture, an Inner-Asian lineage can be traced that mobilizes earlier Buddhist semiotic discourses to construct concepts of language diversity (and the natural-ness of cosmic languages) compatible with the multilingual reality of Inner-Asian empires.

Presenter: Elvin Meng is a joint PhD student in the Department of Comparative Literature and the Department of East Asian Languages & Civilizations at the University of Chicago. His research interests include East Asian & European thought, media history & theory, translation, Manchu studies, history of linguistics & musicology, and modernism.

Discussant: Yiwen Wu is a PhD student in the joint program between East Asian Languages & Civilizations and Theater & Performance Studies at the University of Chicago. Her research centers on early modern Chinese and Japanese theater, with a focus on the dynamic relationship between role types, characters, and performance.

Lecturer in the Department of History and Associate Research Fellow at Beinecke Library at Yale University.

Looking with Intention: the Role of Materiality in East Asian Studies Research

Workshop Description: In this workshop, participants will be introduced to some of the fundamental sensitivities that can help in research with East Asian printed materials. For this session, we will focus on three important skills: 1) identifying editions according to existing bibliographies; 2) signs in printed materials that indicate changes or alterations; 3) the importance of checking multiple copies. By the end of the session, students will have developed some of the sensitivities they need to begin thinking bibliographically.

Location: Joseph Regenstein Library (1100 E. 57th St.)

Speaker Information: Devin Fitzgerald, PhD (Harvard University), is a Lecturer in the Department of History and at Beinecke Library as an Associate Research Fellow at Yale.  Prior to coming to Yale, Devin was the Curator of Rare Book and the History of Printing at UCLA Library Special Collections. Devin is an Andrew W. Mellon Fellow in Critical Bibliography and is currently the Vice President of the Society. He actively uses over a dozen languages in his work and instruction and has taught at both the University of Virginia Rare Book School and the California Rare Book School. His research focuses on global book cultures and intercultural encounters. Some of his publications include, “The Early Modern Information Revolution,” coauthored with Ann Blair, in The Oxford Handbook of Early Modern European History, “Chinese Papers in the Early Modern World” (Ars Orientalis) and “Manchu Language Pedagogical Practices: The Connections Between Manuscript and Printed Books” (Saksaha).  He is currently working on two monograph length studies. The first examines the interconnected histories of the paper codex. The second is a revision of the second half of his dissertation, which investigated the globalization of the idea of China during the early modern period.

This event is co-sponsored by the University of Chicago Library, the Andrew W. Mellon Fellowship for Diversity, Inclusion, and Cultural Heritage at Rare Book School, APEA, and the Center for East Asian Studies at the University of Chicago with support from a Title VI National Resource Center Grant from the U.S. Department of Education.

Dear colleagues, faculty members, and friends,

The Arts and Politics of East Asia Workshop (APEA) is pleased to announce our schedule for the Fall 2023 Quarter. All the in-person events will meet from 3:00 to 5:00pm, unless otherwise noticed. As usual, we will send reminder emails with information for the exact time and location prior to every workshop session, along with the link to the pre-circulation materials. For meetings via Zoom, we will send the registration link prior to the workshop session.

Fall 2023 Schedule

October 6th (in-person)

Devin Fitzgerald, Lecturer, Department of History, Yale University

“Looking with Intention: The Role of Materiality in East Asian Studies Research”

Location: Joseph Regenstein Library (1100 E. 57th St.)

★Co-sponsored by the University of Chicago Library, the Andrew W. Mellon Fellowship for Diversity, Inclusion, and Cultural Heritage at Rare Book School, and the Center for East Asian Studies at the University of Chicago with support from a Title VI National Resource Center Grant from the U.S. Department of Education★

October 13th (in-person)

Elvin Meng, Ph. D. Student, EALC & Comparative Literature

“The Paleography of Babble”

Discussant: Yiwen Wu, Ph. D. Student, EALC & TAPS

Location: Center for East Asian Studies 319 (1155 E. 60th St.)

★Co-sponsored by the East Asia: Transregional Histories (EATRH) Workshop★

October 20th (in-person)

Thomas Looser, Associate Professor of East Asian Studies, New York University

“Landscapes After Modernity: The Place of the Universal Human in the (Digital) Art of Xu Bing & Japan”

Please note the unusual time and location

Time: 11am-12:30pm

Location: Cobb 310

★Co-sponsored by the Digital Media Workshop★

November 17th (Zoom)

Anthony Stott, Ph. D. Candidate, EALC & Comparative Literature

“The Asada Touch: A Partial Media History of the Japanese Little Magazine and the Periodical as Method”

Discussant: Paola Iovene, Associate Professor in Chinese Literature, EALC

Coordinators: Danlin Zhang and Hang Wu, EALC

Faculty Sponsors: Professor Paola Iovene and Professor Melissa Van Wyk

Please do not hesitate to contact Danlin (danlinz@uchicago.edu) or Hang (hangwu@uchicago.edu) if you have any questions. We look forward to seeing you at APEA in the new quarter!

Ph.D. Candidate, East Asian Languages and Civilizations, University of Chicago

“Divided Soundscapes and Collective Song: Listening to Military Songs in Literary Fiction of the Korean War”

Time: Friday, May 12, 3:00-5:00 pm CT

Location: Wieboldt 408

Please note the unusual location

Abstract: This chapter examines the use of military songs by Korean fiction writers to reconstruct the soundscapes of the Korean War (1950-1953). I define the act of collectively singing military songs as an active mode of reception. This receptive mode, I argue, was key both to the bodily materialization of national belonging in a divided nation and to the reproduction of ideological division. First, I use the novel T’aebaek Mountains (T’aebaek sanmaek, 1983-1989) by Cho Chŏng-nae to explore the pre-existing sonic conditions that Korean War-era military songs territorialized and the theoretical workarounds that the novel offers to the problematic modes of audition associated with the acousmatic situation. Next, I examine the form and function of military songs through a case study of the popular South Korean composition “Comrade-in-Arms, Good Night” (Chŏnuya, chal chara, 1951). Third, I investigate wartime scenes of civilians singing military songs in four works literary fiction by Ch’oe Chŏng-hŭi, Hwang Sun-wŏn, Yun Hŭng-gil, and Yi Mun-gu, respectively. Finally, I present two contrasting portrayals of military songs in the battlefield in the novels Ice Age (Pingha sidae, 1967-1968) and T’aebaek Mountains. Together, the chapter’s readings aim to show how various writers portrayed active reception of military songs in order to reflect, question, or even counter the divisive formation of collective Korean ethnic nationhood.

Presenter: Ethan Waddell is a PhD candidate studying modern and contemporary Korean literature in the Department of East Asian Languages and Civilizations at University of Chicago. His dissertation project, “Listening to South Korean Fiction through Popular Songs, 1950s-1970s,” aims to develop methods for reading modern and contemporary Korean literary fiction through popular music genres.

Discussant: Alex Murphy is currently a Visiting Assistant Professor of Japanese at Kenyon College, and will be starting as an Assistant Professor of Japanese at Clark University in Fall 2023. His research centers on modern Japan with a focus on the relationship between sound, language, and the body across literature, media and performance.

Harrie A. Vanderstappen Distinguished Service Professor, Art History and EALC, University of Chicago

“Outdoor Exhibitions in Beijing, 1979”

Time: Friday, April 28, 4:00 – 6:00 pm CT

Location:  Cochrane-Woods Art Center, Room 152

Please note the unusual time and location

★Co-Sponsored by Visual and Material Perspectives on East Asia (VMPEA) workshop ★

Abstract: In most writing about contemporary Chinese art, the primary significance of the Stars Art Exhibition (1979)is believed to lie in its choice of venue: held in the small street park outside of the National Art Gallery of China, it moved the site of art exhibition from indoors to outdoors and from museums to public space, displaying works of young “outsider” artists to street crowds. This emphasis on location is undoubtedly correct, but because many studies discuss this exhibition as a singular event, they ignore its relationship to other artistic activities at the time. As a result, the interpretation is frequently skewed, either overemphasizing its uniqueness or overlooking its specificity. An important artistic phenomenon in Beijing in 1979 was the occurrence of multiple outdoor art exhibitions, which have not yet received sufficient scholarly attention. This study attempts to assemble the available materials to provide a general introduction to these exhibitions, to reflect on their shared historical context and characteristics, and to reexamine the Stars Art Exhibition within this context.

Presenter: Dr. Wu Hung holds the Harrie A. Vanderstappen Distinguished Service Professorship at the Department of Art History and the Department of East Asian Languages and Civilizations at the University of Chicago, and is also the director of the Center for the Art of East Asia at the same university. An elected member of the American Academy of Art and Science and the American Philosophic Society, he sits on multiple domestic and international committees. He has received many awards for his publications and academic services, including the Distinguished Teaching Award (2008) and Distinguished Scholar Award (2018) from the College of Art Association (CAA), an Honorary Degree in Arts from Harvard University (2019), and the Distinguished Lifetime Achievement Award for Writing on Art from CAA (2022).

Wu Hung’s research interests include both traditional and contemporary Chinese art, and he has published many books and curated many exhibitions in these two fields. His interdisciplinary interest has led him to experiment with different ways to tell stories about Chinese art, as exemplified by his Monumentality in Early Chinese Art and Architecture (1995), The Double Screen: Medium and Representation of Chinese Pictorial Art (1996), Remaking Beijing: Tiananmen Square: the Creation of a Political Space (2005), The Art of the Yellow Springs: Understanding Chinese Tombs (2010), A Story of Ruins: Presence and Absence in Chinese Art and Visual Culture (2012), Zooming In: Histories of Photography in China (2016), and Space in Art History (2018). His three newest books from 2022 and 2023 include Chinese and Dynastic time (Princeton University Press), Spatial Dunhuang: Experiencing the Mogao Caves (Washington University Press), and The Full Length Mirror: A Global Visual History (Reaktion Books).

Discussant: Dr. Paola Iovene is an associate professor of modern Chinese Literature in the department of East Asian Languages and Civilizations at the University of Chicago. She is the author of Tales of Futures Past: Anticipation and the Ends of Literature in Contemporary China (2014) and a co-editor of Sound Alignments: Popular Music in Asia’s Cold Wars (2021).