Brian White

Cover for Tsutsui Yasutaka’s 1967 short story “The Vietnam Travel Agency”

Brian White (PhD Candidate, EALC)
“Asian Aliens: Race and Ethnicity in 1960s Japanese Speculative Fiction”
Friday, January 19th, 3-5pm in CEAS 319
Discussant: Cody Jones (PhD Student, Comparative Literature & Divinity)
Co-sponsored with the Mass Culture Workshop

Please join us Friday (1/19) from 3-5pm, as we host Brian White. He will present a draft of his dissertation chapter, which he summarizes as follows:

In this partial dissertation chapter, I take up a 1968 short story by metafiction writer Tsutsui Yasutaka, entitled “Rose-Tinted Rhapsody.”  Through a close reading of this text, I discuss the significance of race and ethnicity in considerations of Cold War-era SF (speculative- or science-fiction).  This argument is an intervention in the hegemonic scholarly tradition in Japanese popular cultural studies of reading postwar texts within a bilateral system in which the United States is Japan’s only interlocutor and nuclear trauma and hyper-capitalism its only thematic concerns.  Instead, I argue for a reading of these texts that is more sensitive to the complex contemporary geopolitical situation, in which a variety of affinities were negotiated, opened up, and closed off.

The paper is available directly below, or at this link. If you have not received the password, or have questions about accessibility, please feel free to contact Helina Mazza-Hilway (mazzah@uchicago.edu) or Susan Su (susansu@uchicago.edu).

Winter Quarter 2018 Calendar

Songhua River Series: Snow Covered Songhua River (partial). Bai Hai (2010). Ink on rice paper.

1/19  Brian White, PhD Candidate in EALC
Asian Aliens: Race in 1960s Japanese Speculative Fiction”
Time & location: 3-5pm in CEAS 319
Co-sponsored with the Mass Culture Workshop

1/26   Sandra Park, PhD Student in History
“Crusading for the Twentieth Century: Christianity, Politics and the Cold War in South Korea and Korean-U.S. Relations, 1945-1973”
Time & location: 3-5pm in CEAS 319
Co-sponsored with the East Asia Trans-regional Histories Workshop

2/9    Alex Murphy, PhD Student in EALC
“The Era of the Voice: Performance, Technology, and Politics in Japan, 1918-1942”
Time & location: 3-5pm in CEAS 319

2/23   Sung Hyun Kang Assistant Professor at Sung Kong Hoe University
“Transnational Archives: Cold War, Postcolonialism, and Korean Studies”
Time & location: 3-5pm in CEAS 319
Co-sponsored with the East Asia Transregional Histories Workshop
This event is sponsored by the Committee on Korean Studies at the University of Chicago Center for East Asian Studies with support from a Title VI National Resource Center Grant from the United States Department of Education.

2/27   Yoon Sun Yang, Assistant Professor of Korean & Comparative Literature at Boston University
Lunch with graduate students
Time & location: 12pm-1pm in CEAS 319
This event is sponsored by the Committee on Korean Studies at the Center for East Asian Studies.

3/5     Paride Stortini, PhD Student in Divinity
“Imagining a Cosmopolitan “Furusato”: India and Buddhism in the Silk Road Imaginaire of Hirayama Ikuo”
Time & location: Noon-1:15pm in Swift Hall
Co-sponsored with the Religion and Human Sciences Workshop

Yuqian Yan

Yuqian Yan (PhD Candidate, Cinema and Media Studies & EALC)
“Emplacing the Ancient: the Characters and Their World”
Friday, November 10th, 3-5pm in CEAS 319
Discussant: Pao-Chen Tang (PhD Student, Cinema and Media Studies & EALC)
Co-sponsored with the Mass Culture Workshop

Please join us Friday (11/10) from 3-5pm, as we host Yuqian Yan (PhD Candidate, Cinema and Media Studies & EALC). She will present a draft of her dissertation chapter, which she summarizes as follows:

Location shooting was an important feature of Chinese ancient costume films (guzhuang pian) in the 1920s. Filmmakers went beyond confined studio spaces in Shanghai to search for scenic sites to locate familiar tales from the past. What motivated them to incorporate present landscapes in the representations of ancient stories? What kinds of places could be qualified as ancient settings? How did the incorporation of real sites affect audiences’ viewing experiences? This chapter studies Chinese filmmakers’ efforts to integrate contemporary locations into cinematic adaptations of traditional tales. By directly engaging the present in the portrayal of the ancient, filmmakers suggested a different possibility of relating to the past, and demonstrated the new cinematic medium’s special capacity in facilitating a new way to evoke the past through the present.

The paper is available directly below, or at this link. If you have not received the password, or have questions about accessibility, please feel free to contact Helina Mazza-Hilway (mazzah@uchicago.edu) or Susan Su (susansu@uchicago.edu).

Nicholas Y. H. Wong


Above image: Bai Yao and others on left, Bai Yao’s Prequel to Floating Clouds on right.

? Nicholas Y. H. Wong (PhD Candidate, Comparative Literature)
“Literary Collectives and “Minor” Time in Mahua Autobiographical Fiction about the Late 1950s”
Friday, November 3rd, 3-5pm in CEAS 319
Discussant: Yueling Ji (PhD Student, EALC)

Please join us Friday (11/3) from 3-5pm, as we host Nicholas Y. H. Wong (PhD Candidate, Comparative Literature). He will present a draft of his dissertation chapter, which he summarizes as follows:

This dissertation chapter examines sojourner-Chinese poet, librettist, and editor Bai Yao’s (1934–2015) unfinished piece of life-writing in the third person, Prequel to Floating Clouds (Lüyun qianshu, 2016). Bai Yao’s microhistory of urban Chinese-Malayan, or Mahua, literary societies and journals, managed by U.S.-sponsored Hong-Kong-based literary organization Union (Youlian), reveals his maximalist, encyclopedic approach to “becoming-minor.” Set around 1957, the year when Bai Yao arrived in newly independent Malaya, the novel presents time as a thick transnational node and generational fold, against the punctual national time of Leftist, nativist Mahua literary histories. Bai Yao also develops Youlian’s anti-communist, Malayan-oriented “life-camps” as an anti-Yan’an model of literary collectivity and study, legitimately connected to mainland Chinese republican-era societies. I examine Bai Yao’s account of Mahua literary autonomy via the depoliticized aesthetics of the Third Force, or non-alignment, and of cultural China (wenhua Zhongguo).

The paper is available directly below, or at this link. If you have not received the password, or have questions about accessibility, please feel free to contact Helina Mazza-Hilway (mazzah@uchicago.edu) or Susan Su (susansu@uchicago.edu).

Matt Lowenstein


Above image: The “Asia Realty” building, Frank Raven’s offices on Sichuan Rd.

Matt Lowenstein (PhD Student, History)
“An American Banker in Shanghai: Frank J. Raven in Historiographical Perspective”
?
Friday, October 20th, 3-5 p.m. Wieboldt 301N?
Discussant: Spencer Stewart (PhD Student, History)

Please join us Friday (10/20) from 3-5pm, as we host Matt Lowenstein (PhD Student, History). He will present a draft of his article in progress, which he summarizes as follows:

In 1904, a 29-year- old veteran of the Spanish-American War arrived in Shanghai to take up work as an engineer. It was the beginning of a brilliant career and a charmed life. Frank Raven would go on to form a number of financial and property ventures, most notably the American-Oriental Banking Corporation. His reputation and social standing were ratified in accolades from the Shanghai American School, the Rotary Club, the American Club, and, his crowning glory, election to the Shanghai Municipal Council. But in 1935, silver poured out of country. With depositors lining up at the door, Raven was forced into liquidation. In the subsequent proceedings, the courts discovered criminal improprieties and sentenced Raven to five years in federal penitentiary. The literature treats Raven as the archetypal Great American Huckster, heir to a long tradition of confidence men, snake oil salesmen, and patent medicine cranks. For some, Raven represents American imperialism at its ugliest: greed unvarnished by higher ideals. For sympathetic scholars, he was a victim of a federal government intent on disciplining Americans abroad. This historiographical essay, relying on archives in Washington, Shanghai, and New York, and on Raven’s personal diaries, seeks to present Raven in his own terms. By taking him seriously as a financier, it hopes to open a new perspective on the history of Chinese finance during the Republican period.

The paper is available directly below, or at this link. If you have not received the password, or have questions about accessibility, please feel free to contact Helina Mazza-Hilway (mazzah@uchicago.edu) or Susan Su (susansu@uchicago.edu).

Fall Quarter 2017 Calendar

Flowering Cherry and Autumn Maples with Poem Slips. Tosa Mitsuoki (c. 1617-1691) on a six-panel screen; ink, color, gold, and silver on silk.

10/6    Will Carroll, PhD Candidate in Cinema and Media Studies and EALC
“I don’t masturbate; I fight!”: The Specter of Kita Ikki in Suzuki Seijun’s Fighting Elegy
Time & location: 3:30pm in Wieboldt 301N

10/20   Matthew Lowenstein, PhD Student in History
“An American Banker in Shanghai: Frank J. Raven in Historiographical Perspective”
Time & location: 3pm in Wieboldt 301N

10/27   Reiko Abe Auestad, Professor, Department of Culture Studies and Oriental Languages, University of Oslo
“Tsushima Yūko (1947-2016): Calling Upon the Dead”
Time & location: 3pm in CEAS 319

11/3     Nicholas Wong, PhD Candidate in Comparative Literature
“Literary Collectives and “Minor” Time in Late 1950s Mahua Autobiographical Fiction and Reportage”
Time & location: 3pm in CEAS 319

11/10    Yuqian Yan, PhD Candidate in Cinema and Media Studies and EALC
“Embodying the Ancient: The Body and its Costume”
Time & location: 3pm in CEAS 319
Co-hosted with the Mass Culture Workshop

11/17    Sohye Kim, PhD Candidate in EALC
“Zhang Lu’s Landing in South Korea: The Fashioning of Spectatorship in a Globalizing and ‘Multicultural’ Society” (working title)
Time & location: 3pm in CEAS 319

?

Save

Save